A Quote by Kelly Brook

I've always paid my own way, I've never lived off anyone. — © Kelly Brook
I've always paid my own way, I've never lived off anyone.
I went to Manchester, didn't know anyone, got a job as a runner and worked my butt off. I got paid 60 quid a week, and lived above a pub.
I can't tell you the number of times I was one of the first people at the arenas or at TV, constantly trying to better myself. I can honestly say that my hard work paid off. My resilience paid off. My persistence paid off.
I would say first of all, anyone who wants to challenge the status quo always gets that response. Ninety percent of the time, that's just bull. That's just the way in which people choose to prop up their own privilege or their own particular position. So mostly I shrug it off.
I never tried forcing anyone to understand me. Everybody has their own opinion. But I will always be happy the way I am.
Now people like Susan Sarandon are noticing that people of color live this way?! This is the way I've always lived! What's happened is that it has now reached a level of national discourse where it's on the table. But they've never minded that we were treated like this off-stage.
What I don't like is the way people automatically think I am a kept woman, that he pays my expenses. This puts me in a rage. I've always paid my own way, even while living in his mansion. I've kept an apartment of my own. In fact, I not only buy my own clothes, but many of Hef's, too - he just hates to shop.
Before breaking into music, I had various jobs: forklift driver, driving a courier. But I was forced into working rather than doing it off my own bat because that was my dad's way: you got a job and paid your way.
I was paid to read Western economic texts. In a way, the regime paid for their own undermining.
The secret of the creative life is how to feel at ease with your own embarrassment. We're all in the dirty laundry business and we're being paid to take risks and look silly. Race car drivers get paid to risk their lives in a more concrete way; we get paid to risk our lives in an emotional way.
I lived my twenties on the road, in all different countries experiencing this momentum of a career which was taking off in its own way.
I never needed anyone when I became an actress. I ran off to England on my own.
Across the years, in spite of everything I knew, my passion endured. Newspapers and magazines paid me to cover fights when I'd have paid my own way.
We borrowed money, it helped us with bonds and what not, and the Federal Government backed it, but it was a guarantee, it was not a grant. And we not only paid it off, but we paid it off ahead of time.
The thing where I thought I made it was when I paid my house off. It wasn't actually a moment on stage - it was the first bit of financial security. It was the first time I looked at my house, and it was all paid off, and I thought, 'Alright. Jokes paid for this.'
I never liked the whole idea of [creating your own] background, if it's not pertinent, where the character lived as a child, and who I was and how I was. That never helped me in any way, so I don't even do that.
I don't say he's a great man. Willie Loman never made a lot of money. His name was never in the paper. He's not the finest character that ever lived. But he's a human being, and a terrible thing is happening to him. So attention must be paid. He's not to be allowed to fall in his grave like an old dog. Attention, attention must finally be paid to such a person.
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