A Quote by Kelly Hu

When you do voiceover it's such a fun job to be able to do. First of all, you can do it in your pajamas and you don't have to get dressed up for it. — © Kelly Hu
When you do voiceover it's such a fun job to be able to do. First of all, you can do it in your pajamas and you don't have to get dressed up for it.
You meditate and then you can put on your pajamas, or you can imagine you're wearing your pajamas, and you talk about your piece of writing in the language you would use if you were wearing your pajamas and you were seated at a table with your very good friend. And you wouldn't have to get all dressed up or clean up the table.
I've always wanted to do an adult cartoon, because I want a job where you can just drive up in your pajamas, have a cup of tea and not even get dressed, and you've gone to work for the day. What a great gig!
I'm so lazy as far as liking to get up, go to the office in my pajamas, get dressed about noon. And I hate flying. So I have this really laid-back, good lifestyle, and it's hard to nudge me out of it.
You know how they say, "Find your voice"? That's your voice, in your pajamas. And it doesn't mean that you're going to publish it or print it or people are going to see you in your pajamas. It just means you are going to construct the foundation in your pajamas, in that voice.
I try to work in the mornings. Usually, I write in my pajamas and slowly assemble myself. I don't get organized and sit down and get dressed. I do the laundry. I drift in and out of writing.
My favorite thing about doing photo shoots is just being able to have fun, meeting new people, getting dressed up, and I just love doing it. So, I have a lot of fun.
Even when you work from home, getting yourself dressed is the first step. I often find there are days where I'll be in my pajamas all day. I feel like a useless human being.
Obviously as a kid, for probably anybody who chose animation voiceover as a career in their adult life, Mel Blanc was the touchstone for everybody. He kind of invented the job and was the first voice actor to get onscreen credit.
Voiceover is probably the toughest of all the markets to get into. Everybody wants to do it because it's again three to five hours work. You can roll in there with your bedroom slippers and robe on if you wanted to. And it's fun.
I used to get scouted outside of Topshop and stuff, and I was brought up in the fashion industry and did a few shoots when I was young, which was always fun to get dressed up.
I don't get dressed up every day. I'm very busy. I get really annoyed when people talk about me as a 'fashionista.' I get dressed up when I have to go out. Most of the time, I'm running around in jeans.
It's fun to be a girl, and get dressed up, but that's not how I really am.
If you don't have the good fortune to work a lot then you take any job you get offered, whether it's a good job, fun job, a bad job, horrible job, whatever, you just take what you need to take. But I'm lucky in that - at the moment anyway and hopefully forever, but who knows - I get the chance to pick jobs for the kick of it and the fun.
You know, I got kids. I got sons, and I try to tell them, 'Look, man, when you in the car and you get pulled over, hands on the steering wheel. 'Yes, sir. No sir.' Your job is to either wind up in jail, so I can come get you, or be able to pull off. That's your job.'
It's pretty awesome to see people dressed up in period clothing and running around on horses and in carriages and all that kind of thing. Part of the fun of making a period film is just that playfulness. It's just like make believe when you're a child except you get to do it for a real job.
At one time there were voiceover artists, now there are celebrity voiceover artists. It's unfortunate because these people need the money less than the voiceover artist.
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