A Quote by Ken Burns
Good history is a question of survival. Without any past, we will deprive ourselves of the defining impression of our being.
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I've found that in life, and certainly in music, it's all just a series of occurrences in which you are constantly assessing the potential outcome of your decisions based on past precedence. As an aside, this is apparently the defining factor in science that separates artificial intelligence from human consciousness. One thing that our brains are really good at is taking a bunch of answers and extrapolating the question, whereas in computing, you input a question and it will provide an answer.
Space travel leading to skylife is vital to human survival, because the question is not whether we will be hit by an asteroid, but when. A planetary culture that does not develop spacefaring is courting suicide. All our history, all our social progress and growing insight will be for nothing if we perish. No risk of this kind, however small it might be argued to be, is worth taking, and no cost to prevent it is too great. No level of risk is acceptable when it comes to all or nothing survival.
When we deny the EVIL within ourselves, we dehumanize ourselves, and we deprive ourselves not only of our own destiny but of any possibility of dealing with the EVIL of others.
In order to settle down in the quiet of our own being we must learn to be detached from the results of our own activity. We must be content to live without watching ourselves live, to work with expecting immediate reward, to love without an instant satisfaction, and to exist without any special recognition. It is only when we are detached from ourselves that we can be at peace with ourselves.
Generosity is revolutionary, counter-instinctual. Our survival instinct is to care only for ourselves and our loved ones. But we can transform our relationship to that survival instinct by constantly asking ourselves, ‘How can I use my life’s energy to benefit all living beings?
We deprive our children, our charges, of persistence. What I am trying to say is that we need to fail, children need to fail, we need to feel sad, anxious and anguished. If we impulsively protect ourselves and our children, as the feel-good movement suggests, we deprive them of learning-persistence skills.
Our strategy should be not only to confront empire, but to lay siege to it. To deprive it of oxygen. To shame it. To mock it. With our art, our music, our literature, our stubbornness, our joy, our brilliance, our sheer relentlessness — and our ability to tell our own stories. Stories that are different from the ones we’re being brainwashed to believe. The corporate revolution will collapse if we refuse to buy what they are selling — their ideas, their version of history, their wars, their weapons, their notion of inevitability.
Free will appears unfettered, deliberate; it is boundlessly free, wandering, the spirit. But fate is a necessity; unless we believe that world history is a dream-error, the unspeakable sorrows of mankind fantasies, and that we ourselves are but the toys of our fantasies. Fate is the boundless force of opposition against free will. Free will without fate is just as unthinkable as spirit without reality, good without evil. Only antithesis creates the quality.
The question of what we are can only be answered by ourselves. We each decide what we are by the life choices we make. How we were made, who are parents are, where we are from, the color of our skin, who we choose to love, all those things do not define us. Our actions define us, and will keep defining us until even after death.
Our population and our use of the finite resources of planet Earth are growing exponentially, along with our technical ability to change the environment for good or ill. But our genetic code still carries the selfish and aggressive instincts that were of survival advantage in the past. It will be difficult enough to avoid disaster in the next hundred years, let alone the next thousand or million. Our only chance of long term survival, is not to remain inward looking on planet Earth, but to spread out into space.
The question we need to ask ourselves is whether there is any place we can stand in ourselves where we can look at all that's happening around us without freaking out, where we can be quiet enough to hear our predicament, and where we can begin to find ways of acting that are at least not contributing to further destabilization.
The gist of the matter is this: Every impression that comes in from without, be it a sentence which we hear, an object of vision, or an effluvium which assails our nose, no sooner enters our consciousness than it is drafted off in some determinate direction or other, making connection with the other materials already there, and finally producing what we call our reaction. The particular connections it strikes into are determined by our past experiences and the 'associations' of the present sort of impression with them.
The question is not whether the good outweighs the bad. The question is whether or not the good excuses the bad. And, in my opinion, it doesn't. It never does. As long as wrongs are being commited, in any quantity, and in any ratio to the amount of good that is being done, it is both irresponsible and wrong not to bring awareness to it, and struggle to put an end to it.
Art is about forgetting all these feelings, good and bad, and trying to understand what acts will last longer, which symbols will remain in history. It's a question of perspective: The further you get from the past, the more concrete and plausible it seems.
You can create a good impression on yourself by being right . . . but for creating a good impression on others there's nothing to beat being totally and catastrophically wrong.
You can create a good impression on yourself by being right, he realizes, but for creating a good impression on others there's nothing to beat being totally and catastrophically wrong.
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