A Quote by Ken Burns
One of the things I really like about Ford's films is how there is always a focus on the way characters live, and not just the male heroes.
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I love writing about men. To get by in the world you have to know how men think. Not that all guys think alike, but women tend to think about more things at the same time, an overgeneralization, but I find it easier to make my male characters focus than I do my female characters.
I like shows where the female characters are as funny as the male characters, not just commenting on how funny the male characters are.
Just like how male actors get to play varied characters, I would also like to play characters that people don't normally see female characters portraying on screen.
You have to always try to think about them like real people first, and not just heroes. They have to be real characters. As people do more and more superhero stuff, the characters are what distinguish it, just like in cop shows.
The funniest things just come from honesty. We have a tendency to see female characters as representative of something larger than what they are, when male characters are just characters.
I sometimes get asked: 'How come the men in your stories don't have such strong characters?' And I'm like: 'I don't care.' I just want to find out about all the different lives a woman can live. But my feminism has never been against men. It's not erasure; it's just they're not the focus. In real life, they're quite nice.
I basically enjoy doing films that are about something, that have complex roles that I can sink my teeth into. Basically, I gravitate to things that scare me. They might be things that I don't think I know how to play. I like trying to find within me where this character may exist. Whether is it is a fictional character or not I am not motivated by that. It is more about how challenging it is. It is just so happens that the more high profile things I have done have been historical characters.
The characters in my films try to live honestly and make the most of the lives they've been given. I believe you must live honestly and develop your abilities to the full. People who do this are the real heroes.
I always want to see films that are startling and amazing. Not just shocking. Shocking is easy to do. But startling in the way that makes you change how you think about things. Those are the movies I like the best.
Meryl [Stripe]spoke out about the low percentage of female critics on Rotten Tomatoes. Why are there 760 male critics and just 168 women? You are immediately [biased] on what kind of films you are being told to go see. What are you told are good films? Male films.
College was really good for me. It's where I did my growing up, learning how to live on my own and to be myself. That really helped. I've eased my way into everything since then, so it doesn't feel too crazy. It's just about being the same person, whether good things come my way or bad things come my way, and to enjoy the opportunities I have.
I really do believe that people surprise you. And one of the powerful things about novels is that they're about characters, and those characters live their lives.
Once I got over the fear of writing female characters, it actually came quite easily and I was really happy with it. I just thought about girls I knew really, really well and I'd just have conversations with them and tried to relay how they talk about certain things.
I like stories that begin with characters. I like to be engaged and moved by the characters in the story. I want to be moved. I want to leave the cinema and think about what I've seen. My sensibility is quite eclectic and it doesn't matter if they are small or large films, I just want to make good films.
The Ford Motor Co. should stand for something more than cars and trucks. There is a Ford way of doing things that we cannot lose... We need to be continuously polishing that Ford oval.
It might look like some incredibly complicated map to get from English period films to American action anti-heroes, but it really is just about not having a plan.
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