A Quote by Ken Loach

Jimmy's Hall' is set in Ireland in the '30s and everything that went under the camera we had to generate. — © Ken Loach
Jimmy's Hall' is set in Ireland in the '30s and everything that went under the camera we had to generate.
Zooming in, zooming out. I was shocked. I said, "Let's erase this right now, put the camera behind the stage and I'll do the performance just for the camera." He set up everything and I told him to go outside and smoke a cigarette. Come back when I finish. Don't touch the camera. This was the way how I've done most everything after that.
I'm in the Rock and Roll Hall of Fame, the Songwriters Hall of Fame. Jimmy Page gave me the MOJO Maverick award. I got an Ivor Novella Award for my very first song.
Not since Jimmy Carr have I seen a cold computer programme on stage generate so much laughter.
I had the whole 'Ghostbusters' toy set with the firehouse and the car and everything. Sometimes I'd use my grandpa's camera and make little stop-motion cartoons with those toys - I was definitely a weird kid.
I had written for Jimmy Kimmel and Sarah Silverman in the past. Jimmy had a different voice, and different priorities. He couldn't be the bad guy in the joke; he couldn't upset people, really.
I had to lower my hands, I had to work my hips a different way. I also had to stride to get the power. I'd always been a standstill hitter and had to generate power from my upper body. Basically, I had to change everything I was doing. It was really difficult.
The reality is that I spent years in the factories in Italy when I first set up Jimmy Choo. Today, everyone who has a job at Jimmy Choo, I've done their job - right down to the cleaner.
Before the camera, you only had secondhand takes - someone had to tell you what they saw or draw a picture of it or sing a song. Because of the camera, sometimes to our horror, we now know everything that happens in the world - things that before we were sheltered from.
I spent my 30s figuring out how to be a grown up, I guess. I loved my 30s! My 30s were really about being happy with what I was doing.
My favorite decade of cinema would be kind of the '40s, yeah. I like things in the '30s, but you know, the sound recording in the '30s wasn't very good. But for some reason the movies in the '40s have the best personalities: Jimmy Stewart, Gary Cooper, Betty Grable, Gene Tierney, and all those people. For some reason, I seem to gravitate more toward the '40s, and I don't necessarily know why. I just love the people.
I got Jimmy Hall from Wet Willie and he also plays now with Hank Williams Jr.
I had written for Jimmy Kimmel and Sarah Silverman in the past. Jimmy had a different voice, and different priorities. He couldnt be the bad guy in the joke; he couldnt upset people, really.
When I chose to do 'Carrie,' I never had done anything on camera before. I was always onstage, so everything surprised me. Just going on set and walking into a makeup trailer and seeing Chloe Moretz and Julianne Moore - 'Wow, I am part of this ensemble.'
Let the subject generate its own photographs. Become a camera.
In "Virginia Woolf" I had a thing which the grips called the paraplegic which was a wheelchair thing that I had made up years before where I could stand on this bicycle-like device and be pushed down the hall, and then step off it with a handheld camera.
I think I would have had an easier time of it if I had had training much earlier. Because when I got to the training, it was in my late 30s and I already probably had every bad habit a singer could have. In fact, it still goes on. It's un-training those habits and retraining new ones - the breathing, the relaxation, the tongue, the lungs, the everything.
This site uses cookies to ensure you get the best experience. More info...
Got it!