A Quote by Ken Loach

You always feel a degree of insecurity about getting through a film. — © Ken Loach
You always feel a degree of insecurity about getting through a film.
Every film I make I feel like I am getting a mini-masters degree, it's a wonderful life path and you get to immerse yourself in an intriguing world for a couple of years.
Happiness is not always through success. Equally, the constant pursuit of success is sure unhappiness. But we have to find the balance. My own thoughts are that parenting is very personal. And we all feel enormous insecurity about parenting. What are they going to think of us 20 years down the line?
There are specific times where film noir is a natural concomitant of the mood. When there's insecurity, collapse of financial systems - that's where film noir always hits fertile ground.
I think there are specific times where film noir is a natural concomitant of the mood. When there's insecurity, collapse of financial systems - that's where film noir always hits fertile ground.
If you're getting way too much than perhaps what you deserve, there's no insecurity. It comes up when you feel 'I expect and deserve much more but I'm not getting it.'
I'm always described as 'cocksure' or 'with a swagger', and that bears no resemblance to who I feel like inside. I feel plagued by insecurity.
I'm always described as 'cocksure' or 'with a swagger,' and that bears no resemblance to who I feel like inside. I feel plagued by insecurity.
In theatre, once you've got the character and you've got things together, you can relax into it. Film has a different feel - you don't get that through line of not stopping. Theatre is like a snowball gathering momentum and getting bigger, whereas in film, it's a bit stop and start - but you do tend to adjust to that quite easily.
Insecurity is the worst sense that lovers feel; sometimes the most humdrum desireless marriage seems better. Insecurity twists meanings and poisons trust.
I always told, Sandra Bullock was my student when she was younger, I always told her it's important that we hold on to our insecurity, the wisdom of insecurity.
If you're going to make a film about rage in 2018, 2017... If you're going to make a film about revenge and anger, I feel like that has to be a film about women. I don't really want to watch a film about angry men. I've seen way too many of those.
I really discovered [Dr.Strange] through hearing about this film and first meeting Scott [Derrickson] and getting into it and just opening up and saying, "Okay, this is, like all comics, very much of its era," and my first question was, 'How do you make this film? Why do you make this film now?' and the answers were so enticing that I was like, "I'm in."
The problem with the British film industry is the nervousness and insecurity about - and genuflection toward - Los Angeles.
Thanks to my ridiculous, sometimes tragic, and always unsteady upbringing, I was given the gift of bone-crushing insecurity. One thing you'll notice about people with mental problems is constant self-absorbation. I think that's because it's such a struggle just to be who they are, so they have a hard time getting past it.
What you feel about a film is what you feel when you're in love with a woman. You fight for her love and it's always a struggle... there are misunderstandings and you're always trying to prove that there's more to you.
I wanted to stay in New York to pursue acting, but my dad urged me to get a four-year degree. Reading about the film school at Florida State University, he suggested I go there. I received my bachelor's degree in 2003.
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