A Quote by Ken Loach
My father worked in a factory and as a child it felt very secure. It felt very secure because everybody had work, the schools were free, so there was a security of knowing that the war had finished and families would come together again.
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As for me: I loyally remained right where I was, remembering the very first I had ever seen the boy and then just now, the very last time-and all the times in between. The deep aching grief I knew I would feel would come soon enough, but at that moment mostly what I felt was peace, secure in the knowledge that by living my life the way I had, everything had come down to this moment. I had fulfilled my purpose.
I felt very maternal around eight months. And I thought I couldn't become any more until I saw the baby... But it happened during my labor because I had a very strong connection with my child. I felt like when I was having contractions, I envisioned my child pushing through a very heavy door. And I imagined this tiny infant doing all the work, so I couldn't think about my own pain... We were talking. I know it sounds crazy, but I felt a communication.
I always felt very insecure financially as a child. I was desperate to understand money as a child. I was desperate to be secure. Because I always felt like the rug could be pulled from under me.
Once I've properly finished a book, my ideal state of being would be to never think about it again. But with 'Capital,' I felt I'd spent so much time with the characters that they were very, very real, and I definitely had a sense of loss about leaving them behind in a way I've not quite had before.
But because they didn't see each other very often, their relationship had more ups and downs than either of them had experienced before. Since everything felt right when they were together, everything felt wrong when they weren't.
I encountered producers who wanted to hang out after we worked, and when I refused, they wouldn't let me come back and work again... I would've have way more opportunities if I had succumbed. But it never felt right. I always felt like I was going to be successful, and I didn't want to compromise my morals.
When I started acting, I had a really strong discipline of knowing that you had to be on time, knowing that you had to work 12 to 16 hours a day, knowing you had to be prepared, knowing you had to be ready, and it's very interesting because if you're an artist and you're creating, you can work very, very long hours but as you're putting out that love of creation, it's almost like you're charged by it, you're charged by the process of it.
I had an experience of knowing the Polish people when I was a child, and where my father worked many Poles came to work after the war. They were good people, and this has stayed in my heart.
I never really felt secure until I was well into my 30s, because anytime I had success, I would invest in new projects.
I lived in a little working-class town that had no black neighborhoods at all - one high school. We all played together. Everybody was either somebody from the South or an immigrant from East Europe or from Mexico. And there was one church, and there were four elementary schools. And we were all, pretty much until the end of the war, very, very poor.
I learned construction and carpentry from my father at a young age, so I felt very comfortable and I felt very satisfied when I worked in that field.
Democrats have always historically referred to our families as working families, and I have sort of changed that moniker. I think what we have is a nation of worried families - families that are concerned about job security, families who thought their pensions were secure and now have questions.
I felt that people would criticize everything. I was so scared about playing Paris. I was very much aware that the greatest concerts my father and mother had done were there. I was sure people would be very tough.
Had my dad not been short and fat and balding, there's no doubt his career would have been very different. But he could do lots of stuff and made a very good career out of it. He had an incredible work ethic because he lost his father when he was very young, and the family had to pull together.
We were taught fortitude by our parents, who had gone through the war. Being a child then was fun. We could go out and play in the street - there were few cars - and we felt very safe.
For the first time in a long time I thought about Maman. I felt as if I understood why at the end of her life she had taken a 'fiancé,' why she had played at beginning again. Even there, in that home where lives were fading out, evening was a kind of wistful respite. So close to death, Maman must have felt free then and ready to live it all again. Nobody, nobody had the right to cry over her. And I felt ready to live it all again too.
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