A Quote by Ken Loach
I was an understudy in a show called 'One Over The Eight' with Kenneth Williams and Sheila Hancock.
Related Quotes
I ran into my old friend Michael Kenneth Williams, who I worked with on a show called 'The Philanthropist' for NBC. He was going to be doing this show called 'Hap and Leonard.' He was playing Leonard, and they were looking for somebody to play Hap.
I remember once they sent me over to read for a show called 'Mork and Mindy.' I heard gales of laughter, then Robin Williams walked out. I had to follow Robin Williams.
I was the understudy to the understudy in a year-two production of 'Big Chief Red Feather.' The boy who had the lead broke his arm, and then the understudy got chicken pox. And I loved it. I got to wear the most feathers in my headdress.
I live a very Kenneth Williams-like existence.
When I was a kid, man, my dad used to buy me the Ted Williams glove at Sears with the Ted Williams shoes with the eight stripes on 'em. I used to play Little League, and I was Ted Williams-ed out.
You've got the right - you've got a wonderful person with Sheila Bair, most of the viewers have never heard of Sheila Bair. [She] has taken eight percent of the deposits in the United States and seamlessly moved those over to sound institutions which in turn have gotten more capital, ended up, it's been a magnificent job.She'll never get a golden parachute or any severance pay or anything. She's done a great job. We've got some great public servants. We have I think the right people in there to get the job done, and then they need more tools.
My first show was called 'I Know I've Been Changed' in '92. I tried to do this show for years and years. It kept failing over and over and over again. Every time I went out to do the show, nobody showed up. I was like, 'What is this about?'
I looked at her. Sheila was my girl--the girl I wanted--and wanted for keeps. But it wasn't any use having illusions about her. Sheila was a liar and probably always would be a liar. It was her way of fighting for survival--the quick easy glib denial. It was a child's weapon--and she'd probably never got out of using it. If I wanted Sheila, I must accept her as she was--be at hand to prop up the weak places. We've all got our weak places. Mine were different from Sheila's, but they were there.
When I was young, I saw some of my heroes doing it on the telly. We're talking about Spike Milligan, Peter Sellers, Arthur Lowe, Ian McKellan, Kenneth Williams. These were all guys telling stories to me.
While I was at NYU, I did a play at The Public called 'The Forbidden City,' where I went in as an understudy and got my Equity card.
'An Audience With Kenneth Williams.' My wife and I went with him to the recording. He was paid £10,000, the largest fee he had ever received and was so nervous he was shaking. But his performance was matchless. He knew it was the best thing he'd ever done.
I came from the time of so-called New Criticism - the poem in itself, the writing in itself - but around that time I had come across a critic called Kenneth Burke, who wrote a book called A Rhetoric of Motives, and it seemed to talk about another way, and gradually I realized that other way was that the reader made a difference.
For performances I have my favorite go to's like Prince, Donna Summer, Vanity 6, Sheila E, but it also depends on the type of show I am giving. I could pull references from Broadway musicals, Rock Steady Crew, a Jamaican dancehall or gentlemen's club, etc. all within one show. It truly is a playground with no restrictions for me.
I am a creator of TV shows. 'Lifestyle' ran for 14 years... that was pleasurable. We also had 'Runaway' for eight years. We did two years of a show called 'The Start of Something Big', and we did a network series called 'Fame, Fortune and Romance.'
I worked with an indie filmmaker called Mark Williams, a lawyer who was making a zero-budget family drama called 'Move Me.'
Mork, played by Robin Williams, was my introduction to improv, and my first real peek behind the curtain of television production; I had seen Williams riffing on 'The Tonight Show' and soon put it together that certain scenes with Mork were not scripted.
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