A Quote by Ken Loach

Paul Laverty is a wonderful writer and we've worked together for a quarter of a century. — © Ken Loach
Paul Laverty is a wonderful writer and we've worked together for a quarter of a century.
With my two brothers, Jean-Marie and Joel, I wrote a two-page story and wanted to make some kind of movie. We met a French production company, called Why Not?, and the first name we put on the list was Ken Loach. It was a dream for all of us. So, we tried and we met Ken and Paul Laverty, his writer, and they read the two pages and were inspired by that to do something. Paul had the freedom to do his own story - and he wrote his own story, which is better than the one we'd written.
Pope John Paul II not only was a powerful spiritual leader for Catholics but also a world leader of extraordinary consequence during the last quarter-century.
Other centuries had their driving forces. What will ours have been when men look far back to it one day? Maybe it won't be the American Century, after all. Or the Russian Century or the Atomic Century. Wouldn't it be wonderful, Phil, if it turned out to be everybody's century, when people all over the world--free people--found a way to live together? I'd like to be around to see some of that, even the beginning.
People are always asking couples whose marriage has endured at least a quarter of a century for their secret for success. Actually, it is no secret at all. I am a forgiving woman. Long ago, I forgave my husband for not being Paul Newman.
More than a quarter of a century into the band's career together, it's inspiring to hear Melvins continue to deafen new generations of listeners.
The first quarter-century of your life was doubtless lived under the cloud of being too young for things, while the last quarter-century would normally be shadowed by the still darker cloud of being too old for them; and between those two clouds, what small and narrow sunlight illumines a human lifetime!
Born and raised in St. Paul. I was a St. Paul Johnson Governor for the first quarter of my freshman year. Then I moved to Phoenix.
In the last quarter of the 20th century, Britons have been understandably obsessed with the problem of having too little power in the world. In the third quarter of the 18th century, by contrast, their forebears were perplexed by the problem of having acquired too much power too quickly over too many people.
The right to express one's views, practice one's faith, peacefully assemble with others to pursue political or social change - these are all rights to which all human beings are entitled, whether they choose to exercise them in a city square or an Internet chat room. And just as we have worked together since the last century to secure these rights in the material world, we must work together in this century to secure them in cyberspace.
Over the course of the last quarter century I've learned a lot. And the main thing I've learned is that we're better together and that our society needs inclusion - right? - not exclusion.
We are all a quarter good, a quarter bad, a quarter animal and a quarter child which equals a whole bunch of crazy.
My husband and I oddly have worked together a couple of times. We did a 'Veronica Mars' episode together. We didn't work together, but we were both in 'Ghost World.' We had a theater company in L.A., for a bunch of years. So, we've worked together a fair amount, and it's always just great fun.
In this century the writer has carried on a conversation with madness. We might almost say of the twentieth-century writer that he aspires to madness. Some have made it, of course, and they hold special places in our regard. To a writer, madness is a final distillation of self, a final editing down. It's the drowning out of false voices.
When I started working as a writer-director, that's when he became Paul Thomas Anderson and I became Paul W.S. Anderson. Neither of us can write and direct an American movie under the name Paul Anderson.
Wildlife was the only thing we've written together with Paul Dano. It's based on a book by this author Richard Ford, who just published a memoir about his family that's really wonderful. Paul fell in love with his book, and we optioned it ourselves, and he took a first pass at writing it. He asked me for notes, and then our note session devolved into an argument really quickly.
Everybody is pretty good in the first quarter. Second quarter, you have a little bump or two on you coming into the half. By the time the third quarter comes around, you're tired, you're laboring. When you come to the fourth quarter, it calls on your character.
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