A Quote by Ken Loach
It's a great privilege to make a film, to have it shown, and for people to see it.
Related Quotes
We, as film-makers, are privileged. We can make people cry or laugh. We can make them think and feel. It is a great privilege and a great responsibility.
With the right movie, 3D can enhance the experience. Absolutely, it can make a good film a great film. It can make a great film a really amazing film to see .
My job is to make a film that can sit as a standalone piece, that if it's the only Marvel film you see, it's a great film with a great story in and of itself. The lucky thing is that there's a bunch of geniuses who run Marvel that make sure, even if it's a standalone piece, that it's part of a great big jigsaw puzzle that could be appreciated as a whole as well.
With independent film, simply because they don't have the money to make a big-budget film, they're forced to make a story that's important to them, that they would like to see on film, a personal story that people can relate to, about people, where you can see the love of the characters.
I can understand that an audience, buying a ticket to see a picture of mine, wants to see something funny because they feel confident that at least I have a fighting chance to make a funny film when I make a film, whereas if I make a dramatic film there's one chance in a thousand that it's really going to come out great, so I understand how they feel about that and they're completely right.
I love it when I see somebody else make a great film. I think there is a great supportive film community, even though the awards seem to do something weird to that.
With The Exorcist we said what we wanted to say. Neither one of us view it as a horror film. We view it as a film about the mysteries of faith. It's easier for people to call it a horror film. Or a great horror film. Or the greatest horror film ever made. Whenever I see that, I feel a great distance from it.
Carrying a movie is both a great privilege, it's a great opportunity, but it can be a great pressure, and sometimes that can make people behave very oddly.
If I hear that a film of mine is going to be shown on a big screen somewhere and I haven't seen it in a while, I make a point to get to see it. I just want to see it up on the big screen.
Even today, I'm not sure why I make films or what makes me want films. I think it's other people's films. Whenever I see a really great film, I think, 'I want to make a film like that.' And then I never do.
I don’t know if you have a child, but what the Chinese government want people to see is like you would want a child to see. Because every film shown in China is one that a child could see.
It's a great privilege just to be in a film not because you're some packaging that some agent has done with the studio exec: "We need a John Travolta film."
I've always believed that if you want to really try and make a great film, not a good film, but a great film, you have to take a lot of risks.
I don't want people abroad to see India like it's shown in a film like 'Slumdog Millionaire.' We are at par with the world.
I think great bosses hire great people. 'A' people hire 'A' people, but 'B' people hire 'C' people; they're worried they might be shown up... they're concerned that that person might make them look bad.
I like esoteric stuff but it's not my voice - it's not what I have to make. It helps to make something that's accessible. It's an expensive medium and people put up a lot of money and you can't take that lightly. It's a privilege and it's easy to be flip about it. There's a lot of bullshit, but most people in the film business aren't getting rich. They're working hard.
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