A Quote by Ken Loach
People talk about Thatcherism all the time. I felt it was important to record the memories of those almost written out of history who upheld the spirit of '45.
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I belong to a bowling team with black and Latino coworkers. And when we get together and we talk about politics - I'm almost quoting him - he said, we don't talk about Black Lives Matters. We talk about what matters to our families. We talk about jobs, and we talk about the fate of the country. That is America, and you can reach those people.
It's so self-evident that I have to live my own history, to remind people the fact that I got into radio back in the early '80s was because of AIDS and HIV. It was what motivated me - that was the topic that I felt was so important that I had to talk about it, educating young people about it.
I counted it up once. I think I have written 45 full screenplays. Of those, maybe 15 have been shot, in some form. That's a pretty good track record, but it's not 100%. It is frustrating that, as a screenwriter, I've seen all those movies and they don't exist in the real world. They're juts inside my head and on those pages.
The great people of the earth today are the people who pray. I do not mean those who talk about prayer, nor those who say they believe in prayer, nor yet those who can explain about prayer; but I mean these people who take time and pray. They have not time. It must be taken from something else. This something else is important, very important, and pressing, but still less important and less pressing than prayer. There are people that put prayer first, and group the other items in life's schedule around and after prayer.
The idea of the duets albums was the people who joined Frank Sinatra in each song were themselves successful record artists, I never was. I felt a certain apprehension at the time that some people thought my being there was pure nepotism. I felt kind of out of place about that.
If they don't know the Lord, I encourage them to search for and open their hearts and their eyes. If something happens to me tomorrow, I'm going to go to heaven and that's for sure because God's promised to us in the Bible. I want to make sure that those people out there feel the same. At the end of the day as long as I glorify him and those 45,000 people know who I represent out there every time I step out on the field, that's what it's about. It's about representing God.
People want a cop-out, listen I'm a realist and I talk about motivation, talk about all the things it takes to be greater or are important to win and people want to use excuses all the time.
It's hard to get people at a record company to talk about music. They don't seem to want to talk about music, it's all marketing, and that's part of a record, you gotta get it out there, people have gotta hear it, but you could do it in a way that's not repulsive.
History is a cyclic poem written by time upon the memories of man.
I think the isolation in China also has to do with people's memories being wiped out, collective memories as well as individual memories, by the fact that the recent history has been constantly rewritten and revised.
I remember the first 45 record I bought. It was called 'A Dog a Donut'; it was a breakbeat. Actually, I think I bought two at one time, and the other one was 'Dance to the Drummer's Beat.' Those are breakbeats. I paid a dollar for it, for each one. Your average producer or DJ would know who came out with those.
It is unfortunate that so much of the history of Africa has been written by conquerors, foreigners, missionaries and adventurers. The Egyptians left the best record of their history written by local writers.
I feel like 45. I don't look bad for someone my age, with my history of illnesses and operations and all those anesthetics. When they knock you out, it gives you time to catch up on your beauty sleep.
I write about the period 1933-42, and I read books written during those years: books by foreign correspondents of the time, histories of the time written contemporaneously or just afterwards, autobiographies and biographies of people who were there, present-day histories of the period, and novels written during those times.
. . . the whole idea of WHAT HAPPENED WAS.... is not about dating. It is more about people who are not committed to who they are or are indifferent about their life in general, which is how I felt about myself when I wrote it. I had turned 40 and I was unhappy and I wanted to write about that. Dating just became the framework. . . . I like all those fringy, weird, nonverbal, quiet, tiny little things, those powerful interchanges between people, things that go unsaid, that people know are happening all the time but nobody wants to talk about. That's what I want to make movies about.
There was a time when history was written by a few people, the winners. Now, history is written by all of us all the time... That's the thing we keep telling our 14-year-olds, you know: anything you do right now, it's not going anywhere.
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