A Quote by Ken Loach

I think people think of auteurs as being a dictator shouting over everyone about his vision. That's not the way I think of auteurs or the way I work. — © Ken Loach
I think people think of auteurs as being a dictator shouting over everyone about his vision. That's not the way I think of auteurs or the way I work.
I think Marvel's incredibly supportive of young auteurs and really let them do their thing and support their vision. They give you a sandbox to play in, but it's a pretty massive one.
I've done my best to work from a place of humility - always looking over your shoulder saying, 'Does this suck?' and I think that's a good way to work. The other way to work is where you start to think, 'I'm on fire, I'm amazing!' and I don't think that's the way to work.
Every time you work, it's a new film, and generally when you work with auteurs, people that write and direct their films, there's always an originality.
We once believed we were auteurs but we weren't. We had no idea, really. Film is over. It's sad nobody is really exploring it. But what to do? And anyway, with mobile phones and everything, everyone is now an auteur.
We once believed we were auteurs, but we weren't. We had no idea, really. Film is over. It's sad nobody is really exploring it. But what to do? And anyway, with mobile phones and everything, everyone is now an auteur.
I think about 'Will & Grace,' and I think about 'Modern Family,' and the way that being gay has become sort of middle America... in the way that they show gay people in their specific way.
I've heard directing talked about as being a benign dictatorship, and I think that's probably the best way a director should be. They're open to collaboration and feedback from people, but ultimately, it's got to be that one person's vision. That's what I think makes a film really stand out.
My sister's a musician. Everyone else in our family, it's either academics or artists of one kind or another. And those are the people that I think I like to hang out with, too. I think, you know, they're always interesting; they lead interesting lives, and I think they're important for everyone to read about because everyone is an artist in a way.
I don't think I'll be remembered in a big Michael Jackson, Led Zeppelin way. I think I'll be remembered in this way: by the people who were there, who can't capture or explain it. I'm not trying to brag or anything. It's not about me. It's about facilitating a good time for everyone.
I do think culture is an argument, and that was part of the way I was brought up. People at a social occasion in Ireland will start shouting and arguing. When the Yeats family lived in Bedford Park, they had to go round to the neighbours to say, 'You might think we are fighting, but this is the way we talk to each other.'
I think it is effective when activists work from the margins, and I think that's the best way to go about it. And I do think that it's increasingly being more effective with the work that's being done online, that it is a bit more democratized, that whatever kind of activism is being done, it's not necessarily coming from one centralized place.
The way I think of my work is that I have to think up the way to tell a story, starting from scratch. The changes in the industry concern me in a general way because I think civilization is doomed.
I don't think about the audience, I don't think about what makes them happy, because there's no way for me to know. To try to think of what makes for entertainment is a very Japanese thing. The people who think like this are old-fashioned. They think of the audience as a mass, but in fact every person in the audience is different. So entertainment for everyone doesn't exist
We want to make a 100 million dollar movie that we have created, in the way James Cameron or Chris Nolan does. It's so inspiring when high-quality auteurs are writing and directing those movies. That's pretty cool.
I think, for me specifically when it comes to music, I don't think that I need any persuading to think about it. It's always kind of in the back of your mind and - but I think it's part of who I am and always will be, I mean, in a very cellular way. When you grow up doing, you know, one thing, I think you get to this place where you want to try new things. And I do think that we live in the type of world where people get comfortable with you in one way, and so seeing you in a different way, it takes some time.
I think we're all sensitive; everyone has a certain way about themselves that people don't like to let their emotions out too often. I think people tend to suppress them and hold them in, so I think there's a bit of that in me.
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