A Quote by Ken Loach

I know there are people who can direct sitting down away from it all at a video monitor. But I can't do that. — © Ken Loach
I know there are people who can direct sitting down away from it all at a video monitor. But I can't do that.
You get some directors, and I can never understand it - there's a thing they call the 'video village' where all the monitors are, and you've probably seen it on set visits - I hate that! I never, ever like sitting in video village. I get either my own monitor or a hand held monitor, and I stand right by the camera.
In the black community when we think of a couselor or sitting down with a therapist there is that taboo attached to people of being psychotic and crazy. Really it's not it's just sitting down having a conversation.
I know when I've written a good song when I can imagine the video. If I can't imagine the video straight away, I'm not gonna put it on my album.
I don't know. I imagine good teaching as a circle of earnest people sitting down to ask each other meaningful questions. I don't see it as a handing down of answers.
Every video you see in the movie we have an entire video of it that will be on the DVD, so the whole video for African Child, the whole video for Super Tight, you know the Jackie Q songs.
It's the loneliest feeling in the world-to find yourself standing up when everybody else is sitting down. To have everybody look at you and say, 'What's the matter with him?' I know. I know what it feels like. Walking down an empty street, listening to the sound of your own footsteps. Shutters closed, blinds drawn, doors locked against you. And you aren't sure whether you're walking toward something, or if you're just walking away.
I do want to direct, eventually. I don't know if it will be a short film or a music video or a feature, but I know that I want to at least try it and see.
A video taped stage performance is just - you know, it's never gonna be the same as it is if you're sitting there live in the theatre.
There's a secret that real writers know that wannabe writers don't, and the secret is this: It's not the writing part that's hard. What's hard is sitting down to write. What keeps us from sitting down is Resistance.
I did a video with Mick Jagger down in Rio de Janeiro. But I played a video director, and that's the closest I've gotten to directing, except Bob Dylan came and had a few meetings with me about doing a video for him.
Me sitting down for dinner with Ingmar Bergman felt like a house painter sitting down with Picasso.
The idea of standing five feet away from Norah Jones and listening to her sing Neil Young's 'Down By The River' was just phenomenal. I compare that to what my kids know of at a concert, which is sitting in a stadium and watching a huge screen.
I've never been a puppeteer, I conceive and I write and I design and I direct. And not just puppets. I direct actors, I direct dancers, I direct singers, I direct films. I also direct puppeteers. I'm really a theatre maker, but there's not a word for that.
It’s not fair. People claim to know you through the things you’ve done, and not by sitting down and listening to you speak for yourself.
People ask how hard it can be sitting down for work during a 500-mile race? Well, without power steering or power brakes, holding onto 650 horses in a car that has nearly 3,000 pounds of downforce and can produce up to 4Gs vertically and laterally can be extremely tough - even sitting down.
According to Beckett's or Kafka's law, there is immobility beyond movement: beyond standing up, there is sitting down, and beyond sitting down, lying down, beyond which one finally dissipates.
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