A Quote by Ken Loach
A journalist uses the most precise words he or she can. An artist does the same sort of thing. You gather material about a particular subject, you refine it as best you can.
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Every interview is as much an impression of the journalist as it is the artist or subject. You look at interviews and you see a portrait of two people. The worst thing that can happen is if you're misquoted and then that quote is misquoted. That does drive one crazy. The most embarrassing thing is when your words are misrepresented or sometimes you say something stupid and you live to regret it.
I feel that a documentarian has an obligation to tell the truth as he or she interprets it. And what I mean by that is that documentarians don't necessarily have the same sort of obligations that a journalist might have. A journalist might be called upon to be objective, whereas a documentarian is sort of forced to take sides.
Art is a private thing, the artist makes it for himself; a comprehensible work is the product of a journalist. We need works that are strong, straight, precise, and forever beyond understanding.
An actor uses his body as a tool and an instrument. In the same way a musician plays an instrument, the actor uses his body to convey feeling and emotion. An animator uses a pencil or a computer to create the same thing, the same exact way... An actor is taking words that are not his own, and he has to bring some kind of authentic life to those words. It's the same goal, to create this authentic life. Even if it's a drawing, or if it's a cartoon, you're still trying to create authenticity because, if the character emotes authentically, it has a power to connect with the audience.
The personality and style of a photographer usually limits the type of subject with which he deals best. For example Cartier-Bresson is very interested in people and in travel; these things plus his precise feeling for geometrical relationships determine the type of pictures he takes best. What is of value is that a particular photographer sees the subject differently. A good picture must be a completely individual expression which intrigues the viewer and forces him to think.
It's never the same relationship. I see my job as filling in the blanks. Whatever it is that the artist lacks in the process of making a record, I'm supposed to fill that in. And sometimes it's a lot of stuff and I have to hector them about working on the material and that sort of thing. Sometimes you have an artist that's really fairly self-sufficient; they just need another ear to offer some objective criticism, but otherwise pretty much know what they're doing. It varies a lot.
When done right, working is a series of decisions that you make which allow you to refine and refine and refine your highest and best use. Ultimately, if you are lucky, you will find out where you belong.
The most important fact about the subject of education is that there is no such thing. Education is not a subject and it does not deal in subjects. It is instead the transfer of a way of life.
It's not necessary to have read everything about a particular subject in order to get interested in it. The main thing is to sort out what's important and what is peripheral in order to be able to dive in.
He that uses many words for explaining any subject, doth, like the cuttlefish, hide himself for the most part in his own ink.
The best thing about working with Tahira bhabhi is her positivity and clarity about what she wants from you as an artist, an actor, and even as a brother-in-law. I think she is very clear about life, and that's what I love about her.
Certain characteristics of the subject are clear. To begin with, we do not in this subject deal with particular things or particular properties: we deal formally with what can be said about any thing or any property. We are prepared to say that one and one are two, but not that Socrates and Plato are two.
With so much reading ahead of you, the temptation might be to speed up. But in fact it’s essential to slow down and read every word. Because one important thing that can be learned by reading slowly is the seemingly obvious but oddly underappreciated fact that language is the medium we use in much the same way a composer uses notes, the way a painter uses paint. I realize it may seem obvious, but it’s surprising how easily we lose sight of the fact that words are the raw material out of which literature is crafted.
In my mind that's the best thing I can do for my girl, is to love my body and the way I look. That's what I sort of decided when she was young. And so it's sort of about faking it until you can make it.
The best thing about it is that she [Sophia Loren] is the most normal person, and I have the utmost admiration and love for her. I know that she is an icon and an absolute legend, but as a family member, the most beautiful thing is that she is really, really normal.
Woman is the symbol to man of the uncleanness of bodily existence, of which he purifies himself by putting her to noble uses. She thus has for him a double, contradictory significance; she is the subject of his bawdry and the subject of his romance.
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