A Quote by Ken Loach
For the writers I have worked with and for me, the relationship between the personal comedy of daily life and the economic context in which that life happens has always been very significant.
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There has never been a merging of two lives where significant problems of daily living did not occur. One way or another, your relationship is going to be affected. The only question is how. There's a big difference between knowing and doing. It's not what happens between partners that determines the outcome of a relationship, it's how they handle what happens. If all you deal with in your relationship is problems, then you will have a problem relationship. If you want your pound of flesh with full acknowledgement that you're right, your future will be dim.
I was raised with a single mom and we had a very specific, very particular relationship. She worked with me and my job. I was almost three and we traveled everywhere together and she was really in my life in a really profound way. The most significant relationship of my life. It was beautiful and also an incredible, difficult struggle. I know how creative that life is, and how difficult it is to figure it out.
Very often what will happen between actors is that they'll develop kind of a ghost relationship in real life that reflects their relationship on screen or in the play that they're doing. In fact, I'd say that happens almost every time. I don't know why that happens, but it seems very common.
Oh, I'm going to miss everything. It's been the most amazing and significant job of my life obviously and I'll always have it near and dear to my heart. I'm so grateful and appreciative that I worked with the best crew and the best writers and producers and cast and I love them all.
Well, for me, it's the relationship between comedy and life - that's the edge I live on, and maybe it's my protection against looking at the tragedy of it all. It's seeing life in balance. Comedy and tragedy co-exist. You can't have one without the other. I'm of the school that anything can be funny, if seen from a comedic point of view.
Art and work and art and life are very connected and my whole life has been absurd. There isn't a thing in my life that has happened that hasn't been extreme - personal health, family, economic situations...absurdity is the key word.
My mum wants me to get married - and have children, of course. She's met Gaga; we've been dating a while. We're in a committed relationship, and I'm really happy in my relationship. I'm a very lucky guy. As far as having more of a domestic life and settling down into my relationship, we have to see what happens.
Everyone has their personal topics. My comedy has always been very strong on observational humor, it stems from what I see every day in my life.
It's always agonising to separate my life as an actress and personal life. Just because I'm happy with my acting life doesn't mean I'm happy with my personal life. I'm always making an effort to balance between the two.
My brother, who's ten years younger than me, worked with me in the studio when he was very young. He's a guitar player and does programming as well. To have the working and personal relationship coincide has been very natural.
I've always been spiritual but I've never had a proper context, and it took me awhile to find the proper context. It's hard to realize you can have any kind of relationship with God you want...and so I now have a punk rock relationship with God.
I've always been spiritual but I've never had a proper context, and it took me awhile to find the proper context. It's hard to realize you can have any kind of relationship with God you want... and so I now have a punk rock relationship with God.
I have always been interested in that relationship between what happens in our head and what happens in the world.
I've always been very comfortable with me and the people I work with, and my family have always been very plugged into who I am with my personal life.
I'm a big believer in comedy writers. I've always defended the honor of all comedy writers. It's extremely difficult, but I've always felt that comedy writers far more easily can move toward drama than vice versa.
The comedy on '2 Broke Girls' always comes from a place of love - it's never mean. We're a comedy, and we often go right to the edge. It doesn't bother me. I've encountered this all my life. I've been made fun of all my life.
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