A Quote by Ken Loach
If you think back to the great French directors it's difficult to think of British film-makers who are comparable.
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I will say from the outset, I think if you're great, you're great from the very beginning. And because I do think it is innate and I do think it is a gift you just have, and I don't think you can - you can hone the skills of a director, but sadly, I do think that you are born a great director. I think it's just in you and it's something that is deep in you. But, I find it can be difficult working with first-time directors, but it's also moving.
If African film makers had one-tenth the amount commanded by film makers the world over - even the amount used by so-called shoestring film makers - I think we would see quite an explosion of African films on the world scene.
I think it's important that we have a new batch of British film-makers that aren't doing the same old stuff. And that includes me.
I think that in any language when you have a real relationship, and there is love and respect between people, infidelity is always something difficult to accept - whether you are Chinese, British, French. I think that is a universal concept... or problem.
The problem with the British film industry is that it's really the American film industry, or a small branch of in lots of ways because of the common language. But it's great to see some individual voices still there. I think I probably gravitate towards a slightly more European, auteur model rather than the studio thing. I think it would be great if British films were a little bit more auteur driven.
I think that what people abroad want from French film, inside French film becomes our worst fear, "Oh, another film about love!"
I think personally that every actress should do a little film. Even a short film. And all directors should act, to know how difficult it is also the other way around.
I think producers are more interested in backing concepts than directors and writers. I don't think that's the right way of making a decision about whether you're going to back a film or not.
Even for the most difficult scenes, and there are difficult scenes in the film, and because Michael Haneke is such a great film-maker - I think a great film-maker is not only being inspired, but how to do it, how to make it as real as possible, knowing that it's not real.
We, as film-makers, are privileged. We can make people cry or laugh. We can make them think and feel. It is a great privilege and a great responsibility.
I think that too often we, film directors, think that a big epic novel and feature film are the same. It's a lie. A feature film is much closer to a short story actually.
We think of the revolution ending in Yorktown, Va. The fact of the matter is that the French defeated the British in a naval battle right in the mouth of Chesapeake Bay. Because the British fleet was coming to rescue Cornwallis, the British general, Washington was able to surround Cornwallis.
I do think British tailoring is the best. French people hate me when I say that, but I do think it's true.
I think now you see a lot more British films from the perspective of, I guess what would be considered "new" British people - people of color, Asian people. I think that's what's happening now, whereas 20 years ago it couldn't happen because it was still predominantly, "British film is about middle-class white families and what they do."
Film festivals are a great vehicle for gaining an audience for your film, for exposure for the talent in the film and for the film makers to leverage opportunities for their films. I love the energy that film festivals bring.
I taught a master class in film in France, and that was a great experience because I got a chance to study the French film culture and the French film history, so to add... just to expand myself just personally and professionally was really helpful.
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