A Quote by Kenneth E. Boulding
The image of the frontier is probably one of the oldest images of mankind, and it is not surprising that we should find it hard to get rid of.
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Stereotypes, I want to say, have to be thought of not just as these invidious, bad things that we could get rid of, but as images that we cannot get rid of, that we have to live with.
I think guilt is directional. You should get rid of it, but the way to get rid of it is not to get rid of the guilt feelings. It is to get rid of the wrong that you did that caused the guilt feelings.
We must find out what words are and how they function. They become images when written down, but images of words repeated in the mind and not of the image of the thing itself.
We stand today on the edge of a new frontier - the frontier of the 1960's - a frontier of unknown opportunities and perils - a frontier of unfulfilled hopes and threats.
You should work extra hard to be your best selves. True evil has a hard time operating in the face of strenuous manifestations of good. Especially if you act right away. The longer you let evil hang around and get a grip on you, the harder it is to get rid of it.
Pornography is about images that are repeated, saturated. Images of the human body, not nature. What I find in pornography is precisely the repetition of the same: the clichés of pornography. There can be no real transgression, just an image that repeats itself.
Wherever we turn we find that the real obstacles to peace are human will and feeling, human convictions, prejudices, opinions. If we want to get rid of war we must get rid first of all of its psychological causes. Only when this has been done will the rulers of the nations even desire to get rid of the economic and political causes.
There is a growing subculture of barefoot runners, people who got rid of their shoes. And what they have found uniformly is you get rid of the shoes, you get rid of the stress, you get rid of the injuries and the ailments.
Of all the nations in the world, the United States was built in nobody's image. It was the land of the unexpected, of unbounded hope, of ideals, of quest for an unknown perfection. It is all the more unfitting that we should offer ourselves in images. And all the more fitting that the images which we make wittingly or unwittingly to sell America to the world should come back to haunt and curse us.
The images for my works are somewhat insignificant to me. It became an exercise of variation. I only see the surface images as doodles in a sketchbook, but it's hard to not see an image and bring some kind of personal association, though there's not a prescribed idea of what you're supposed to see.
I don't want to forgive myself. That's why I hate psychoanalysis I think if you're guilty of something you should live with it. Get rid of it - how can you get rid of a real guilt? I think people should live with it, face up to it.
We should get rid of the SAT as fast as we can. Look, there are bigger problems in society. This is not the biggest problem we have. But it's so easy to get rid of it. Right? Just pull the plug.
I am the only one, whom you may find it hard to get rid of, for I have always counted myself as a woman.
... art is images you carry. You cannot carry nature with you, but you carry images of nature. When you go out to make a picture you find you are moved by something which is in agreement with an image you already held within yourself.
A crowd thinks in images, and the image itself calls up a series of other images, having no logical connection with the first...A crowd scarcely distinguishes between the subjective and the objective. It accepts as real the images invoked in its mind, though they most often have only a very distant relation with the observed facts....Crowds being only capable of thinking in images are only to be impressed by images.
The image can only be studied through the image, by dreaming images as they gather in reverie. It is a non-sense to claim to study imagination objectively since one really receives the image only if he admires it. Already in comparing one image to another, one runs the risk of losing participation in its individuality.
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