A Quote by Keri Hilson
I know as a consumer I want a story. I want a defining - I don't want just an album full of singles. I want to get to know the artist beyond what everyone else can hear on the radio.
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The people who go get an LL album want to hear LL. They don't want to hear LL trying to sound like DMX or whoever else is out there. That's not what they want to hear from me, because if they want to hear that they can go get the real thing.
I made a decision at some point to live a nontraditional life. I've become like, the opposite of a consumer. I just want freedom. I don't want stuff. I don't want clutter. I just want to be able to move freely. I want to be good to the people I love. But I don't want stuff. I just want, you know, love and big ideas.
I don't want to put 12 singles on an album. I want to make a story, a little movie.
I know what you want. You want a story that won't surprise you. That will confirm what you already know. That won't make you see higher or further or differently. You want a flat story. An immobile story. You want dry, yeastless factuality.
I want a voice. I want people to know who I am and hear my story. I want people to see me get in the ring and give it everything I have, even though I come from a broken home.
I want to know if you can disappoint another to be true to yourself. If you can bear the accusation of betrayal and not betray your own soul. .I want to know if you can live with failure, yours and mine, . and still stand at the edge of the lake and shout . . . "Yes." .I want to know if you can get up . weary and bruised to the bone and do what needs to be done. .I want to know what sustains you . when all else falls away.
People want to act like they know celebrities. They want to see pictures. They want to know where you're going. They want to hear you talk about your family.
Everyone has an opinion. That's just a crazy part of this world now. You can type things on the internet. You can have no credentials in any area and just get on your smart phone and write whatever you want. I know where I come from and where I want to go. I know I'm 100% ready. Everyone else seems to have an opinion, and claim to know, whether I am or I'm not. I would love to see all the people who run their mouths try and do what I do. Because they can't.
I want everyone to know that they can accomplish anything they want at any age if they just be themselves. I want to encourage millions to chase their dreams and to never change. Everyone should also know how to throw a good right hook!
I don't go through a torturous intellectual process to decide what to direct. I know what I want to direct the second I read something or hear a story. I just know when it grabs me in a certain way I want to direct it. And then I spend the next four to six months trying to talk myself out of it, because directing is really hard! But it's true, I know essentially when and what I want to do next... it's an undeniable feeling I get and it's not the same feeling I get when I wind up producing something.
I'm coming into places with some people who just want to hear what I did before, with some people who want to hear me with a band, but I am just at the moment sticking to my guns and saying, 'You know what? I want you just to hear this for a minute. I want it to be in the context of me and a guitar.'
I guess it's easier to get things made when you know the story you want to tell, you know the characters you want to play, and you know the filmmakers you want to tell them with.
People want to be the first with the record, they want to be the first to know which songs are on the record, all that kind of stuff. So I like to just stall them a bit. Personally, I love the idea of an album that's completely new, that no one's heard any free downloads, any pre-record releases, all that kind of stuff, and nothing's been played on the radio. Totally virgin, you know, a sealed record. That's my ideal, but it's very hard to get anybody else to agree to do that.
There's a perception that if an artist produces another artist, they're going to imprint on them. But I'm the opposite. I want to hear that artist; I don't want to hear me - that's the last thing I want to hear. There are a lot of technical studio things I've learned or figured out, and I feel like I could use those things to help other people with what they're doing.
I want everyone who's listening to know who I am and not just see me as this singer. I want them to feel connected to my story.
You know, I don't really understand a suburban environment. I want to be out in the woods, I want to be where it's wild, I want to wake up and hear birds, I want to walk outside and see a gaggle of turkeys bouncing across my lawn - I want to be someplace like that - or I want to be right in the middle of an urban environment.
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