A Quote by Kevin Brownlow
It was 1953, and I was still at school. I'd borrowed a silent French film from the library for my 9.5mm projector. It was by Jean Epstein, and it was awful. So I rang the library and asked if they had anything else. They said they had 'Napoleon Bonaparte and the French Revolution.'
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Europeans are forever the offspring of Machiavelli, trapped in a historical rollercoaster that can bring us a monarchy-toppling French Revolution and then a few years later Napoleon Bonaparte as emperor.
Tuesday—we had school for the first time. Madame O’Malley had a moment of silence at the beginning of French class, a class that was always punctuated with long moments of silence, and then asked us how we were feeling. “Awful,” a girl said. “En français,” Madame O’Malley replied. “En français.
Justice has its anger, my lord Bishop, and the wrath of justice is an element of progress. Whatever else may be said of it, the French Revolution was the greatest step forward by mankind since the coming of Christ. It was unfinished, I agree, but still it was sublime. It released the untapped springs of society; it softened hearts, appeased, tranquilized, enlightened, and set flowing through the world the tides of civilization. It was good. The French Revolution was the anointing of humanity.
I love French style from the Thirties and Forties. French movie stars like Jean Gabin and Yves Montand had so much natural, effortless style.
Come indoors then, and open the books on your library shelves. For you have a library and a good one. A working library, a living library; a library where nothing is chained down and nothing is locked up; a library where the songs of the singers rise naturally from the lives of the livers.
I never had to learn English, French and German because I was brought up as all three languages. I had a private French teacher before I even went to school. That helped a lot.
When I was a child, I grew up speaking French, I mean, in a French public school. So my first contact with literature was in French, and that's the reason why I write in French.
I am a librarian. I discovered me in the library. I went to find me in the library. Before I fell in love with libraries, I was just a six-year-old boy. The library fueled all of my curiosities, from dinosaurs to ancient Egypt. When I graduated from high school in 1938, I began going to the library three nights a week. I did this every week for almost ten years and finally, in 1947, around the time I got married, I figured I was done. So I graduated from the library when I was twenty-seven. I discovered that the library is the real school.
A friend of mine said to me a year ago, "You're so lucky, Nancy, because Ronnie left you the library," She said, "You have that to work on, and to go to, and, in a sense, to be with him." I had never thought of it like that, but it's true. I go to the library or work for the library all the time, because it's Ronnie. I'm working for Ronnie.
I had no money to buy books, so between classes and work, I haunted the library. I even tutored in French with a sliding scale of payment: twenty dollars for an A, fifteen for a B, ten for a C, five for a D.
I don't speak French, but I took it for five years growing up. So, if I were in a situation where I had to be, like, 'Excuse me, pineapple dog house red, what time is it library?' - no problem.
As they were building that library in that school's gym [in the Breakfast Club], they built a rehearsal space for us. It was really an empty room taped out with the same dimensions of the library. And they had the tables all there. And he had us sitting at the same table. All of us.
That was after Napoleon died because there is still a controversy as to whether Napoleon was poisoned with arsenic. And the French say the British did it and the British say the French did it, but he died before the test for arsenic was available.
I grew up in rural Tennessee. There were no bookstores in the town, but the school had a little library and the town had a little library, each with a patient and enthusiastic librarian, and I raced into both as if they were doorways to another world.
I had an amazing French teacher in high school - it was the one class that I enjoyed. And I studied opera for 11 years, so I did a lot of singing in French.
I had always studied French and was obsessed with French films. I hated the way American films always had happy endings. I liked the way French films had dark and unpleasant characters; it was much more realistic.
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