A Quote by Kevin Macdonald
If there is a tendency in modern television I hate, it is the unstoppable march of the dramatic reconstruction to tell the stories of anything from an ancient Egyptian battle to the early life of Paul Gascoigne.
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In my early years, I wanted to be like Paul Gascoigne.
75% of what happens to Paul Gascoigne in his life is fiction.
I'm a humorist. A guy like Paul Simon just makes my life so much simpler. When I was there, he had a hearing against hate. Steven Spielberg came and testified against hate. Paul Simon said hate was bad. Orrin Hatch was there, and he was against hate too. Everyone was opposed to hate. Is this really a wonderful way to spend our tax dollars, to have these men drone away about how against hate they are?
Early on... I did notice that a lot of people had the tendency to do their own story starting out. I felt like I was never interested in that, and I wanted to tell stories of people who are very different.
The best player I've ever played with was Paul Gascoigne. He had everything. He was amazing.
I'm not an encyclopedia of ancient Egyptian history, but women did hold positions of status in ancient Egypt. Obviously, famously, people like Nefertiti and Cleopatra actually ruled, which we don't often think about women having a lot of agency in the ancient world, but in ancient Egypt, they did.
They say Paul Gascoigne is the new George Best but has he shagged three Miss Worlds?
My favourite English player of my time was Paul Gascoigne. I interviewed him several times, always entertaining.
I like both Greek and Egyptian. More Greek stories have survived, so we know more about them. They've always been my favorite. On the other hand, I like the Egyptian stories because they're not as commonly known and they have an exotic flavour.
Primitive times are lyrical, ancient times epical, modern times dramatic. The ode sings of eternity, the epic imparts solemnity tohistory, the drama depicts life. The characteristic of the first poetry is ingeniousness, of the second, simplicity, of the third, truth.
Anything anyone wants to say about me is fair. There's not a single thing that any viewer has ever said about anything I do on television that has bothered me in the least. And every single person has the right to hate whoever they want to hate on television, whether it be singers, actors, pundits. That's the deal.
I could go fishing with Paul Gascoigne, I could go for a pint and a game of doms with Ian Durrant. There's no way I would play now rather than the era I played in. We had a life.
Perhaps these ancient observatories like Stonehenge perennially impress modern people because modern people have no idea how the Sun, Moon, or stars move. We are too busy watching evening television to care what's going on in the sky.
Modern man's capacity for destruction is quixotic evidence of humanity's capacity for reconstruction. The powerful technological agents we have unleashed against the environment include many of the agents we require for its reconstruction.
I watch a lot of television and I watch a lot of film and I hate when you watch the action sequences - and I always tell when they use a stunt man - and then they put the actor in and you can tell these actors haven't done anything.
Why are so many of us enspelled by myths and folk stories in this modern age? Why do we continue to tell the same old tales, over and over again? I think it's because these stories are not just fantasy. They're about real life. We've all encountered wicked wolves, found fairy godmothers, and faced trial by fire. We've all set off into unknown woods at one point in life or another. We've all had to learn to tell friend from foe and to be kind to crones by the side of the road. . . .
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