A Quote by Kevin Macdonald
Although 'The Anderson Platoon' was what we would now call an 'embedded film' - with all the ambiguities that term implies - somehow Schoendoerffer got away with showing things as they really were from a grunt's perspective.
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The first documentary I saw that tried to show the actual experience of being a soldier in combat was 'The Anderson Platoon,' by French director Pierre Schoendoerffer, which won the Oscar for best documentary in 1967.
We had times in '66 and '67 when we would pick up a platoon of privates out of the receiving barracks the week before we even graduated the platoon that we were on!
Despite the limitations of the bulky 16mm camera and 10-minute film magazines, 'The Anderson Platoon' feels as spontaneous and fresh as any films that have come out of the Afghan or Iraq wars.
I think to many people the term 'activist film' implies a film with a single point of view - something designed to provoke outrage and urge action on a particular issue - sort of the film equivalent of a rally. 'If a Tree Falls' is not that kind of film.
If you take away scale, the nature of the story changes. I made a joke the other day: if I were to try to make 'Glory' now, rather than be about a regiment, it would be about a platoon. It would be seven men in the woods rather than all the men on the beach.
Let me say right off the bat that I'm not what you would call a 'tree hugger' or a 'bushes and bunnies' environmentalist out to save the planet or the whales - although I do not denigrate that perspective either, and I really like whales.
We have to remember that we're no longer competing for anything anymore. We're not competing for life and death. Now we need to go back to when we would raise our children together and be able to have that strong unit of community, which is our strength. So women together, as a tribe, to me, are the strongest force. But we were put in a position to have to compete with each other, and that's got to stop. We've got to know that whenever that creeps up in our head, that that's not our true nature. That was something that was embedded in us, and that needs to start to go away.
I've been living this extraordinary life with a new enlightened perspective, to see things from a higher perspective. I feel like I'm able to see things from that higher perspective at Impact Wrestling right now where there are unlimited opportunities and room for growth and to make some work I can really be proud of.
If I were starting now I would do things very differently. I didn't know anything. In Silicon Valley, you get this feeling that you have to be out here. But it's not the only place to be. If I were starting now, I would have stayed in Boston. [Silicon Valley] is a little short-term focused and that bothers me.
What I did was I completed the half-hour film, but before really showing it, I wrote two more sections for a potential feature film which I didn't think would really happen, but at least I had it in case.
In any case, I would never make a film that was only one thing. Even if it's my warmest, most romantic film, I still want it to have the more cynical view of things, showing the irony and absurdity of things that we consider normal.
I think that Anderson Cooper does a great job of staying with stories and pushing them. New Orleans he really... He was there and he pushed it past the point where his producers were saying, "Listen, you've got to stop because people are tuning out now. You know, we're on to another disaster." You know, what do you worry about, Haiti, Chile, Turkey? What? You know where do you put your attention and your focus? So for one person to really be able to cover all that ground would be tough.
If you're going for things that are really terrible ideas you have to really have all your faculties about you to get away with them without being crucified. The best rock music gets away with something, somehow, that it shouldn't be allowed to get away with.
I would say any film can be called feminist that has female characters who have agency in their life, that are in charge of their fate or do important things or take up half the space. I would consider a film feminist, I don't care what it's about, but if the cast was gender balanced, where it would be just as likely that the boss or the best friend or whoever was female. It's really as simple as showing women being in charge of their destiny and giving female characters a voice.
I think from a major-label perspective, if you were on the flip side of things and that's the world you were used to working in, your interpretation could be, "Oh, they're having trouble writing songs," when really it's like, "No, I'm not ready to write songs, I don't want to write a song right now, if I did write a song, it would be forced."
In his second term, [Ronald] Reagan completed the work of his first term - the rich got really rich, everything was deregulated, advocacy programs were quashed, the Savings and Loan program was trashed, the deficit was tripled, unions were busted, Housing and Urban Developing was in shambles, banks were closing, the military got lots of new toys, the religious right was strong, and AIDS was ignored.
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