A Quote by Kevin Patterson

I like a certain grandeur to a landscape, which both the Arctic and coastal BC have. I like it to be at all times clear that people aren't the dominant fact of a particular geography.
I've stuck to the same things for twenty years. I try to look like a slightly edgy geography teacher. Like what a geography teacher looked like when I was in school. Cords, sensible shoes and glasses. I never liked geography much as a subject though. In fact the only geography teacher I can remember from school was a woman who had a moustache.
The close relationships between the abrupt ups and downs of solar activity and of temperature that I have identified occur locally in coastal Greenland; regionally in the Arctic Pacific and north Atlantic; and hemispherically for the whole circum-Arctic, suggesting that changes in solar activity drive Arctic and perhaps even global climate.
I don't put a very clear label on my work. If anything, I write science fiction - looking at a moment now, in the present, and then extrapolating outward to think about what the future might look like if this particular trend goes on, or if this particular trend is the most dominant. That's a science fictional tool.
The fact that my parents were both educated and held certain values very dearly, like honesty, self-respect and integrity, meant that I could steer clear of many pitfalls.
One of the outstanding tragedies of this age of struggle and money-madness is the fact that so few people are engaged in the effort which they like best. Everyone should find his or her particular niche in the world's work, where both material prosperity and happiness in abundance may be found.
Landscape pictures can offer us, I think, three verities: geography, autobiography, and metaphor. Geography is, if taken alone, sometimes boring, autobiography is frequently trivial, and metaphor can be dubious. But taken together, as in the best work of people like Alfred Stieglitz and Edward Weston, the three kinds of information strengthen each other and reinforce what we all work to keep intact - the affection for life.
Jose Ortega y Gasset says, "Tell me the landscape in which you live, and I will tell you who you are." Asserting that character/community is formed, at least in part, by the physical landscape in which he/she resides. And this is underscored by the fact - and not all that long ago - that people and place were, in fact, synonymous: Sapho of Lesbos, for example. Or my middle namesake, Saint Francis of Assisi. Jesus of Nazareth.
Sports is like rock 'n' roll. Both are dominant cultural forces, both speak an international language, and both are all about emotions.
Atoms are very special: they like certain particular partners, certain particular directions, and so on. It is the job of physics to analyze why each one wants what it wants.
I suspect that you, like I once did, are picturing the Arctic as one endless Pingu landscape of flat ice, broken only by the occasional Berghaus-clad James Cracknell type striding manfully out of the spindrift.
The institutional scene in which American man has developed has lacked that accumulation from intervening stages which has been so dominant a feature of the European landscape.
What's your story? It's all in the telling. Stories are compasses and architecture; we navigate by them, and to be without a story is to be lost in the vastness of world that spreads in all directions like arctic tundra or sea ice. To love someone is to put yourself in their place, we say, which is to put yourself in their story, or figure out how to tell yourself their story. Which means that a place is a story, and stories are geography, and empathy is first of all an act of imagination, a storyteller's art, and then a way of traveling from here to there.
There is an internal landscape, a geography of the soul; we search for its outlines in our lives. Those who are lucky enough to find it, ease like water over a stone, onto its fluid contours, and are home.
John Hall, my geography teacher at school inspired me to a lifelong interest in geography and a curiosity about our world which has stayed with me through my life. Geography is a living, breathing subject, constantly adapting itself to change. It is dynamic and relevant. For me geography is a great adventure with a purpose.
The scripture in times of disputes is like an open town in times of war, which serves in differently the occasions of both parties.
I want people to know what it is they're looking at. But at the same time, the closer they get to the painting, it's like going back into childhood. And it's like an abstract piece.. it becomes the landscape of the brush marks rather than just sort of an intellectual landscape.
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