A Quote by Kevin Reilly

The resilience of narrative storytelling and people's love affair with television is impressive. — © Kevin Reilly
The resilience of narrative storytelling and people's love affair with television is impressive.
The Christian religion, then, is not an affair of preaching, or prating, or ranting, but of taking care of the bodies as well as the souls of people; not an affair of belief and of faith and of professions, but an affair of doing good, and especially to those who are in want; not an affair of fire and brimstone, but an affair of bacon and bread, beer and a bed.
The narrative shouldn't stop for the song in a musical. The music has to continue the narrative of the storytelling.
Storytelling is powerful; film particularly. We can know a lot of things intellectually, but humans really live on storytelling. Primarily with ourselves; we're all stories of our own narrative.
On television, I love 'The Crown,' and 'The Affair' is so psychological.
Storytelling is storytelling. You still play by the same narrative rules. The technology is completely different. I don't use one piece of technology that I used when I started directing.
It's not the love affair I have with film, but television can be a playground for interesting ideas.
I have a theory that, for people of color or others who have been cut out of the master narrative, just telling your personal survival tale, your story, is civic engagement. It is a kind of political performance and is really crucial in that storytelling is how the writers connect with people and change. It's how we collect and add to and complicate the master narrative.
I love watching Crufts on the television, especially the agility tests; I find them very impressive.
Look at the people who are coming to television Ridley Scott, Ang Lee or Guillermo del Toro - all these great filmmakers - actively put themselves back into TV. That's because the environment is very encouraging for bold storytelling, storytelling that you've never seen before.
The problem is I want to do everything. I really love all of it, and I love every aspect of movie-making and storytelling, and I love television, I love the Internet. I wish I had time to do absolutely everything.
Acting was always the first love, but a lot of people want to be actors, and my goal was, 'Come hell or high water, I will be a part of this world, however I can.' So that just led me to throwing myself into every aspect of narrative storytelling I could.
Love affair. Doesn't that sound so middle-aged? And also ill-fated. Like ill-fated is an understood prefix to love affair. Well, ill-fated is fine, as long as it's a meaty and fraught ill-fated love affair, not a pale and insipid one.
Visual storytelling combines the narrative text of a story with creative elements to augment and enhance the traditional storytelling process. By design, it is a co-creative process resulting in an intimate, interpretive, expressive technique.
I think my sensibilities about storytelling and character just automatically come into play when I'm trying to work on any kind of narrative. For me, it doesn't really matter what the source of the narrative is. I will be looking for ways to make it into an intriguing story with empathetic characters.
If I weren't a theatre designer, I wouldn't be any other kind of designer. Design is interesting to me as it relates to narrative: the design has to support the narrative. Storytelling is the most important thing.
The first love affair you must consummate is the love affair with yourself. Only then are you ready for a romantic relationship.
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