A Quote by Kevin Reilly
The one thing that I'm really obsessed with is multi-camera comedy. It is a form that is unique to network television.
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It would be great to do another television show that was a multi-camera because the hours are so wonderful and you can be a good mom at the same time. The problem is, there aren't a lot of multi-camera shows that I personally like. My aesthetic is more geared toward single-camera shows.
I was open to anything. That doesn't mean I would do anything, it just means I was open to anything. I've met for dramas, single camera comedy, multi-camera comedy. I take each script as an individual project.
With the rise of cable, network is clearly floundering because the characters on cable are far more fascinating than they are on network. Network television is trying to figure it out. Network television really relies on story rather than character, and cable relies on character.
It really was a unique experience to me to have a television show, Comedy Bang! Bang!, that I really cared about so much, and to know that it was the end, and know that that was the ending of it. We had a wrap party, and we thanked everybody. You don't get that a lot, especially in comedy.
[on making the transition from the comedy "Mary Tyler Moore" (1970) to its dramatic spin-off series "Lou Grant" (1977)] We were really worried about changing over from a three-camera, half-hour comedy to a one-camera, full-hour drama. The audience wasn't ready for the switch - even CBS billed us in their promos as a comedy. In fact, the whole thing was impossible. But we didn't know that.
I did skit comedy online for many years, beginning around 2001. Around 2006 I started watching a lot of food television and got re-interested in food. I come from a very food-obsessed family. But I also wanted to do my own thing, which was the comedy.
I think the camera was always my obsession, the camera movements. Because for me it's the most important thing in the move, the camera, because without the camera, film is just a stage or television - nothing.
Sometimes if you do a multi-camera comedy, often there's rules, like, 'We've got to have three main laughs per page.'
Film, television, and working with a camera is such an intimate art form that if a camera is right on you, and I've got your face filling the screen, you have to be real. If you do anything that is fake, you're not going to get away with it, because the camera is right there, and the story is being told in a very real way.
Multi-camera's fun because you have the immediacy of the audience and just being able to tell the story more or less straight through. The thing I like about single-camera is that you have the luxury of shooting a lot of different options.
Comedy has sort of been my life-long obsession. I literally obsessed over comedy. I really didn't play sports - for me it was just comedy, computers and chess club; those were my big things.
I think television is a unique form, in terms of storytelling. Having source material for these really dense, complicated, serialized dramas is a great way of world-building.
Real life doesn't exist on a network television comedy. They just don't let you travel down any road that is presumably 'dark.'
I don't think Hollywood respects multi-camera television. Well, I don't think they disrespect it, but I don't think it gets respect for its artistry.
The stigma that used to exist many years ago, that actors from film don't do television, seems to have disappeared. That camera doesn't know it's a TV camera... or even a streaming camera. It's just a camera.
The thing about 'Aquarius' is it's incredibly original, and it's really different than anything on network television. The story is so compelling, and it's something people are fascinated by.
