A Quote by Kevin Reilly
'Surviving Jack' was actually a really nice show that was very well-run creatively.
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Jack' came from... I had the same dream since I was 10, about the world being destroyed and run by mutants. I'd find a samurai sword, pick up the girl I had a crush on, and we'd go through the land, surviving. That was the initial spark to 'Samurai Jack.'
I do work really hard to be nice to people. Well, actually, I think it doesn't take much effort to be nice to people, so why shouldn't we all be nice to each other? But I do appreciate very much a woman who is in a position of power who is unapologetic about her position and her belief in her own abilities.
There were two recording studios in Bellingham. One was really expensive, a "nice studio." We were at the point where we were young and irreverent. We would scoff at the idea of a nice studio. "Why would you want to go to a nice studio? Oh wow, they have really expensive gear. Ooh, that's really fancy. Well we've got an eight-track. We've got it going on here." Now that we have the resources, we're like, "Oh wow, a nice studio is pretty nice! They do have nice outboards here. It's actually a pretty good place." It's funny how much changes so quickly.
I have two last pieces of advice. First, being pre-approved for a credit card does not mean you have to apply for it. And lastly, the best career advice I can give you is to get your own TV show. It pays well, the hours are good, and you are famous. And eventually some very nice people will give you a doctorate in fine arts for doing jack squat.
Actually, it's nice when people hate what you do, because it's still a passionate feeling about it. It's kind of when they're indifferent, you're like, "Oh, well, what am I really doing?" It's nice to go one way or the other.
For those of you who are fans of 'Agents of SHIELD,' that show has continued to grow creatively every season. I feel like last season, Season 4, was its strongest creatively yet. I'm very excited for what we have planned for Season 5.
When you go to a show on opening night, or even the second performance, it is at the very beginning of what it will become. By the end of this run, the show will actually be what it is intended to be.
When I was first painting the Monopoly guy I received a criticism. People said, "You're just painting cartoon characters, anyone can do that," but I'm actually a very skilled artist. That's why I released a Jack Nicholson portrait right after that that was very detailed in the face to show my skills.
When I came to Hollywood, I would take the opportunity to get to know George Stevens or Willy Wyler or Billy Wilder or Freddie Zinnemann. David Lean I got to know, of course, in London. And David Selznick and Darryl Zanuck, not to mention Jack Warner, and Sam Goldwyn was actually very, very nice to me.
With our dramas, we have a lot of shows that feature very well-to-do, well-educated people who are driving very nice cars and living in extremely nice places.
People ask me, 'Why are you doing a show on Showtime?' Because I'll do anything really, I don't really care, I'll do a show on Nickelodeon if I thought it was well written. Actually Nickelodeon's kind of awesome.
It always helps to know that other parents with special-needs children are surviving, and surviving well.
I've built up such a thick skin. It's very easy to take one comment - whether it be a really mean comment that digs deep or just something rude - and really run with it. It's so easy: if there are 100 comments, and 99 are nice, you just run with the bad one.
The degree to which a surviving parent copes is the most important indicator of the child's long-term adaptation. Kids whose surviving parents are unable to function effectively in the parenting role show more anxiety and depression, as well as sleep and health problems, than those whose parents have a strong support network and solid inner resources to rely on.
People have sort of been swirling around me, going, 'Oh, you should run for mayor.' Well I didn't really want that job. 'Well, you should run for governor.' Well, that's not really possible.
Well, we don't take money from people and then show the product. It has to be a product that we like anyway, and that's true for all five of us, which is one of the really nice things about the way we make the show.
