A Quote by Kevin Reilly
I'm trying to be a broadcaster and have a big cultural impact.
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You know, I'm a broadcaster, folks. Broadcaster first, second, third, fourth, fifth, first and last I'm a broadcaster. Whatever else I am comes the in the middle. So I watch broadcasting as a business enterprise inasmuch as I watch it for content and so forth.
You can't write for the cultural environment - if you do that, by the time it comes out, that cultural environment has passed. You have to be aiming for something that's original - that's the only way you can have any kind of impact.
There's a new set of transformative technologies such as machine learning, AI, and virtual reality that will spawn another set of big tech franchises. But in terms of cultural impact, perhaps we are at peak Valley.
I think I had a lot of impact on every player. Maybe it sounds cocky, but if I don't feel I have an impact or a big impact, I wouldn't be able to be excited about my work every day.
The difference between a broadcaster and a host is that a host tells stories and dumb jokes, but a broadcaster can articulate deeper like, you know - things and stuff.
Everyone mentions the fact that I am the first African GM. I think it means nothing unless you impact people in Africa. That's what we're trying to try to continue to do - impact the game and make an impact on people over there.
I'm about impact. One can make impact if they run a big business with a lot of zeroes. I've done that. One can also make an impact when you're a research analyst, where it's you and your associate. I've done that.
I managed Dal Maxvill, and he's now our general manager. I managed Bob Gibson. He's a broadcaster. Tim McCarver. Bill White. Nellie Briles. He used to be a broadcaster. I tried to count them up one time.
To try something longer, I entered a half-hour radio drama contest with the national public broadcaster, CBC. To my surprise, I won. And that opened doors in film and television, because that broadcaster was looking to cultivate new Canadian talent, especially women who could write.
In 1981, while doing postdoctoral field work in cultural anthropology, Bonnie A. Nardi lived with villagers in Western Samoa, trying to understand the cultural reasons that people there have an average of eight children.
The first big impact that feminism in the 1960s and '70s had was a big divorce boom in the '70s and '80s. That, in part, had an impact on how the children of that divorce boom viewed marriage.
The cultural impact of records is more important to me than a No. 1 record.
Movies are arguably the most influential, important medium in the world. They have a tremendous cultural impact. Because women are now making movies, then women's ideas, philosophy, point of view will seep into that culture. And that's never happened in history. Ever, ever, ever. We can't even see the impact of that yet.
The biggest impact that acting and theater had was, of course, stage presence, but it also had a big impact on my writing.
You're not just trying to do something marginally, incrementally better. You're doing something that is a fundamental paradigm shift, that will have exponential impact. That means it's harder to do, but ultimately, if it's successful, the impact it has is far greater.
We call them impact songs, and people buy impact songs. But you just never know what those songs are going to be. One of those songs that really went through the roof for us was 'Big Green Tractor,' which I thought was kind of a fun little ditty song that I never in a million years thought would be as big as it was. But it was.
