A Quote by Kevin Reilly
Every television show is hard to do, but when you're in genre and you're recreating worlds and mythologies, they're particularly hard.
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I've never been a show horse or particularly charismatic. I'm just the guy who gets up and works hard every day.
We took on things which people might think would take a year or two. They weren't particularly hard. What was hard was believing they weren't hard.
When I started in television, it was brand new. It was the miracle over in the corner of your room. Now the audience has seen every story line. People have heard every joke. They can predict the plot almost before a show starts. That's a hard, sophisticated audience to reach.
There's not a single genre that is hard to find or hard to get.
Television is hard work. It's all hard work. Theatre is hard work. I tell you, I have bruises from changing backstage. Those quick changes are really difficult.
Once practice starts, we work hard, and that's the best conditioning there is. Everything counts. Every little thing counts. Run hard, play hard, go after the ball hard, guard hard. If you play soft (what I call signing a 'non-aggression pact' with your teammates), you won't ever get into shape.
One of the problems I see with these comics on television, particularly cable television, is, since you can say anything in terms of sex and scatological references and so on, therefore, you should do it. So they all limit themselves to these subjects and this vocabulary. My objection is that it is a lack of articulateness. Irreverence is easy, but what is hard is wit. Wit is what these comedians lack.
There's a difference between someone who's 'harsh' and someone who is 'hard.' Life was hard. You lived in the South, as my grandparents did, and you had to survive. That is hard. In order to respond to that, he had to become a hard man, with very hard rules, very hard discipline for himself, very hard days, hard work, et cetera.
When people see the terrible scenes of violence on television, when we mourn the death of each and every American man and woman in uniform or a civilian that's killed in Iraq, that it's hard to see the progress that's being made and it's hard to believe that this is all going to come out for the better.
What wins a fight is training hard, working hard, and that's what I do: Train hard every time. Being pretty or not is not the point.
Making a great television show is hard enough. To also tackle F. Scott - whoa.
Directing television is really hard - it's so fast. You shoot an hour show in seven days.
They [photographs] teach you about your own unraveling past, or about the immediacy of yesterday. They show you what you look at. If you take a photograph, you've been responsive to something, and you looked hard at it. Hard for a thousandth of a second, hard for ten minutes. But hard, nonetheless. And it's the quality of that bite that teaches you how connected you were to that thing, and where you stood in relation to it, then and now.
American fantasy is not a genre we think about too often. Sure, we are familiar with the worlds of English boarding school houses and castles and fairies, but true American fantasy, fantasy that is built on the land of this country, is hard to come by.
I am a competitive person, but it's so hard to do a show. Anybody who gets to the point where they get their show on the air, I wish them the best. It's too hard. I'd rather waste energy thinking good things on myself.
There is a lot of good television out there, stuff that is better for you than 'Stranger Things,' that, critically, people would be like, 'This is an important show,' but I would press you to find a show that's more watchable. That's hard to do.
