A Quote by Kevin Smith

In Hollywood you kind of fail upwards — © Kevin Smith
In Hollywood you kind of fail upwards
In Hollywood you just fail upwards.
In Hollywood, marriages are kind of expected to fail.
Since I started acting, I've always been aware of the sort of 'beastly entity' that is America and Hollywood, and semi-consciously, I devised a kind of route in - I'd seen a lot of people try and fail.
If you run a website that doesn't have something that's terrible on it, you are not trying hard enough. You have to fail, fail, fail. You have to fail and fail miserably many times.
"Man is born unto the trouble as the sparks fly upwards." In other words suffering is germane to our existence; indeed, how without it, should we be able to "fly upwards".
The problem in Hollywood is that they try to become the only kind of cinema in the world, okay? The imposition everywhere of a unique culture, which is Hollywood culture, and a unique way of life, which is the American way of life. But Hollywood has forgotten that, in the past, what made Hollywood great and what made it go ahead was the fact that Hollywood was fed with, for example, Jewish directors coming from Germany or Austria and enriching Hollywood. In 15, 20 years, Hollywood became imperialistic. Cinema goes ahead when it is marriaged by other culture. Otherwise, it turns on itself.
Stephen Hawking's been watching too many Hollywood movies. I think the only kind aliens in Hollywood are the ones created by Steven Spielberg - 'Close Encounters of the Third Kind' and 'E.T.,' for example. All other aliens are trying to suck our brains out.
If we don't give kids the opportunity to fail when they're growing up, and to fail productively, to fail creatively, that they're going to get out there into the world and they're going to hit some kind of setback, like everybody does, and they're going to get completely derailed.
This is a terrible confession to make, but after I left the Army I had a number of things to try. I had a great conceit to think that if all else failed I could always go to Hollywood. So when all else did fail I really went to Hollywood. And then I found out how wrong I was.
For a book publisher, there is hardly a more dangerous category than that of celebrity autobiography. Forget who it's by, most books of this kind not only fail but fail big, since they are invariably expensive.
I feel like if Hollywood can stretch for inclusion and intersectionality, and being intentional with its intersectionality, that that can ripple out past Hollywood into whatever industry and kind of affect society as a whole.
There's nothing in Hollywood that's inherently detrimental to good art. I think that's a fallacy that we've created because we frame the work that way too overtly. 'This is Hollywood.' 'This isn't Hollywood.' It's like, 'No, this is actually all Hollywood.' People are just framing them differently.
I think maybe I might tackle something that doesn't reach down to a very, very young audience, like more of a kind of teenager and upwards.
Like me, Marilyn Monroe had suffered at the hands of some not very nice men. She was used, unappreciated and struggled to find herself. She worked her way up in Hollywood with stars in her eyes and a kind heart, but found that Hollywood wasn't always as kind in return. She may have been publicly adored, idolized and lusted after, but she felt alone and trapped.
It's interesting - in 'Fail Safe,' as well, they didn't back off. We were raised with kind of this spectrum of that Armageddon and lived under it, so those were probably the films. 'Fail Safe' sort of haunted me.
You are the most dangerous kind of female the world can ever know. You carry the seeds for your own destruction and the destruction of everyone who loves you. And a great many will love you for your beautiful face for your seductive body; but you will fail them all because you will believe they all fail you first. You are an idealist of the worst kind - the romantic idealist. Born to destroy and self destruct.
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