Crocker's Rules didn't give you the right to say anything offensive, but other people could say potentially offensive things to you, and it was your responsibility not to be offended. This was surprisingly hard to explain to people; many people would read the careful explanation and hear, "Crocker's Rules mean you can say offensive things to other people."
I can read people, and if the other person doesn't want to say anything, I'm fine with that. People say things when it's time to say them.
Some people say Dylan Thomas mischievous, he's a child, and other people say he's quite demonic. I don't think we should dictate about him, if that's your view of him, that's wonderful, but it's great to know that other people think differently.
I have to say 'Celebrity Apprentice' is an eye-opener - what people call each other, what people say about each other. This is different - because this is a business atmosphere, you would never expect it. There was a lot of cattiness going on. It was something that I wasn't used to.
I think sometimes as an actor your career and life are kind of dependent on other people's decisions, what other people tell you, what time other people tell you to get up in the morning, what lines people tell you to say.
When I started out as an actor, I thought, Here's what I have to say; how shall I say it? I began to understand that what I do in the scene is not as important as what happens between me and the other person. And listening is what lets it happen. It's almost always the other person who causes you to say what you say next. You don't have to figure out how you'll say it. You have to listen so simply, so innocently, that the other person brings about a change in you that makes you say it and informs the way you say it.
I feel like you are this or that because other people say so. I wouldn't know how to play a psychopath. I don't think about it that way. You think about playing the scene but if the other people say that guy is crazy, then you are.
That's a funny thing, fame. People definitely do treat you differently. When you begin to be successful, people say, 'Don't go changing.' Well, that's easy to say, but the fact is, you don't change at all - other people do.
That's a funny thing, fame. People definitely do treat you differently. When you begin to be successful, people say, 'Don't go changing.' Well, that's easy to say, but the fact is, you don't change at all -- other people do.
The temptation many creative people I know have is to strive for popularity. To make, do, and say things that other people like in the hopes of pleasing them. This motivation is nice. And sometimes the end result is good. But often what happens in trying so hard to please other people, especially many other people, the result is mediocre.
What I was actually trying to do in my early movies was show how people can meet other people and what they can do and what they can say to each other. That was the whole idea: two people getting acquainted.
Other people have faces; Susan and Jinny have faces; they are here. Their world is the real world. The things they lift are heavy. They say Yes, they say No; whereas I shift and change and am seen through in a second. If they meet a housemaid she looks at them without laughing. But she laughs at me. They know what to say if spoken to. They laugh really; they get angry really; while I have to look first and do what other people do when they have done it.
I say things other people wish they could say. I don't pick on people - I empower them.
Lots of people say we should fly less, heat less, and put on a sweater. But it's not going to happen. People are happy to say that for other people, but not themselves.
People say, well, do you ever hear any other voices other than, like, a few people? Of course I do.
They say you are not you except in terms of relation to other people. If there weren't any other people there wouldn't be any you because what you do, which is what you are, only has meaning in relation to other people.