A Quote by Kevin Smith

It's taken me 15 years to step behind a camera and make something everyone agrees looks like a movie. — © Kevin Smith
It's taken me 15 years to step behind a camera and make something everyone agrees looks like a movie.
I don't think it's necessary to worry too much about being authentic. I think a picture taken on an iPhone and then filtered through something to make it look like it was taken on a Super 8 camera can be just as authentic as something taken on a Super 8 camera, if it's capturing something real or beautiful.
I want to be the person who eventually doesn't have to be in front of the camera. I can be behind the camera and really change things cinematically, and this is giving me an opportunity to do something behind the camera, which I really want to maximize.
Football has been good to me. Everyone has their destiny but you have to make use of the opportunities. I have spent 15 years at the top of my game. It makes me happy. I love the game. I love scoring goals. But I have always taken it seriously. It is not what the game gives you, it is what you give it.
Football has been good to me. Everyone has their destiny, but you have to make use of the opportunities. I have spent 15 years at the top of my game. It makes me happy. I love the game. I love scoring goals. But I have always taken it seriously. It is not what the game gives you, it is what you give it.
You do the best job you can. You take it step by step. It's hard enough to make a movie. If it works, that's great. If it means something beyond the moment to somebody, they can take it and it lasts through the years, we'll see.
What bother me, not "bother me," exactly; that's not the right way to put it. But especially in the horror genre, once a movie like Paranormal Activity comes out and becomes popular - and that's a totally fine and valid movie - everyone starts copying it. Everything becomes a found-footage movie that looks like somebody shot it with their phone.
It's embarrassing, isn't it? It took me 15 years to make an 18-minute movie.
I'm doing an over-the-shoulder shot on a dog. I'm putting the camera behind the dog's shoulder. This is craziness. You just accept it in the movie [Valley of Violence], but when you make the movie, it's the weirdest thing. There's dog coverage, like it's a person.
the movie is not a thing which is taken by the camera; the movie is the reality of the movie moving from reality to the camera.
When the photographer is nearby, I like to say, 'Quick, get a photo of me looking into the camera,' because I'm never looking into the camera. Christopher Nolan looks into the camera, but I think most directors don't, so whenever you see a picture of a director looking at the camera, it's fake.
I've discovered that being behind the camera is more fascinating. If I had to choose a profession today, it would have been something behind the camera.
To be honest, everyone thinks that a digital camera is more reliable and every single time I work on any movie, it's just as many problems, the memory card doesn't work or blah blah blah, it overheats; it's the same volume as another camera. I think people are bit taken in by it.
I made a movie when I was 15 years old with all my friends. This is when IMDb was a little more lax with its proceedings, so it's listed as one of my projects. I was 15 years old; it's a terrible movie. I wrote 50 percent of it because I wanted to kiss this one girl, and I wrote a kissing scene for it.
The second I walk onto the set and I know that there's a camera and I know that there's a David Twohy behind that camera, there is zero pressure. There is just me jumping into a pool called 'Riddick.' It's the most free I am. It's like channeling something.
I do like being in front of the camera more and more. Having experience behind it has taught me about lighting and angles, how to move, and what looks good and what doesn't.
I'd like to direct myself but I'm a cinephile and I also would like to just step behind the camera and be on the other end of making movies.
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