A Quote by Kevin Spacey
We have learned the lesson that the music industry didn't learn. Give people what they want, when they want it, in the form they want it in, at a reasonable price - and they'll more likely pay for it rather than steal it.
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Give people what they want, when they want it, in the form they want it in, at a reasonable price, and they'll more likely pay for it rather than steal it. Well, some will still steal it, but I think we can take a bite out of piracy.
You can get any film now basically for free, and that's where I think the model we're talking about is - if you give people what they want, how they want it and when they want it, they're more likely to pay for it.
Eat what you want to eat, but just be willing to pay the price. If you know you want to eat more cake or more cookies, be willing to work out a lil bit more. I think that's the problem people have is you want to eat bad, but yet you don't want to pay the price to work it off.
I believe that people generally want to be what we call good. They want to cooperate with people. They don't want to steal; they don't want to cheat. But everybody has a price. Everybody has an incentive.
People always get what they want. But there is a price for everything. Failures are either those who do not know what they want or are not prepared to pay the price asked them. The price varies from individual to individual. Some get things at bargain-sale prices, others only at famine prices. But it is no use grumbling. Whatever price you are asked, you must pay.
There are only three requirements for success. First, decide exactly what it is you want in life. Second, determine the price that you are going to have to pay to get the things you want. And third, and this is most important, resolve to pay that price.
Everything you want in life has a price connected to it. There's a price to pay if you want to make things better, a price to pay just for leaving things as they are, a price for everything.
You know how a lot of people say, 'I lose myself in music,' or 'I like to escape,' but I want my music to be more of an awakening. I want it to make people to be aware of life; I don't want my music to be a distraction. I want to light a path.
I have been so blessed not only to talk about things that I want to talk about in my industry, but also to have a platform - and people want to hear about it. People want the change; people want the difference; people want to know what's going on. People want to see themselves in the industry that for so long has ostracized girls of my size.
What people "want" is a function of what they learn is available. If you wish to sell something, you'd better understand that you can't give people what they want in the market today, because what they want today is what they can already get. You have to discover what they really want, and find some way to give that physical shape.
I want to be here for my family. I want to make stuff in Australia. I want to take what I've learned and contribute it to the industry. I think there's a moral imperative to do so for people like me.
I want to be held and told my name. I want to be valued, in ways that I am not; I want to be more than valuable. I repeat my former name; remind myself of what I once could do, how others saw me. I want to steal something.
I think that people will always want music; I think that the form that they will get it in, or distributed to them from, and the price they pay for it is what's up in question.
My goal in this music business is to be here as long as I'm alive. I want my music to be here. I want to be the Michael Jackson and the Prince of hip-hop. I want to be a legend. I want to change the world. I want to give them songs that mean something.
Everybody says, 'I want to change,' but they're not willing to pay the price of it. That was the metaphor of 'Life's Golden Ticket'... Life is some kind of a ride, and if you want that ride to be exhilarating and amazing, you've got to pay to get in. And the price is a willingness to change above and beyond what most people will do.
For people like me, I think it is more about, 'When do people give you an opportunity?' rather than you deciding about when you want to make a debut. If I had a chance, I would have come as a child artist in this industry.
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