A Quote by Kevin Starr

The Irish didn't read and write for a couple of thousand years, and I think we developed good memories and recall. We have a sense of the revelatory detail. I look for them. — © Kevin Starr
The Irish didn't read and write for a couple of thousand years, and I think we developed good memories and recall. We have a sense of the revelatory detail. I look for them.
With a novel, which takes perhaps years to write, the author is not the same man he was at the end of the book as he was at the beginning. It is not only that his characters have developed-he has developed with them, and this nearly always gives a sense of roughness to the work: a novel can seldom have the sense of perfection which you find in Chekhov's story, The Lady with the Dog.
We tend to think of memories as monuments we once forged and may find intact beneath the weedy growth of years. But, in a real sense, memories are tied to and describe the present. Formed in an idiosyncratic way when they happened, they're also true to the moment of recall, including how you feel, all you've experienced, and new values, passions, and vulnerability. One never steps into the same stream of consciousness twice.
I don't read my books, I write them. Once I've finished the many years it usually takes me to write them, I can't bear to read them, because I've spent too long with them already. I'm not advertising them very well, am I?
What libraries give you is all three tenses - the past tense - the present tense in which we live and the future that we can only imagine. These places have teachers who are living and dead and we are lucky to have them. If I sit here and read Aristotle, he is speaking to me across a thousand years - more than a thousand years. That sense that I am in the company of the great greatest people who ever lived is a humbling experience but a liberating experience.
I read 'Crime and Punishment' years ago and don't recall the details of it, but I do retain a strong sense of the creeping paranoia and panic.
I attended the public schools.And I have happy memories and strong memories of those days and good memories of the good sense and the decency of my friends and my neighbors.
I think going away and disappearing for a couple of years - or a few years, or whatever - definitely changed the way I look at songwriting. It made me feel more free, it made me feel more like I could just write what I wanted to write about. I wanted to write more observational songs.
We tried some experiments in mind reading which were not very successful. Think mind reading contrary to common sense, wise provision of the Bon Dieu that we cannot read each others minds, twould stop civilization and everybody would take to the woods. In fifty or hundred thousand centuries when mankind have become perfect by evolution then perhaps this sense could be developed with safety to the state.
I'm good with songs I haven't written, if I like them. I'm glad I didn't write any of them. I already know how they go, so I have more freedom with them. I understand these songs. I've known them for 40 years, 50 years, maybe longer, and they make a lot of sense. So I'm not coming to them like a stranger.
A novel may take anywhere from two to five years to write and, in the end, you might manage a couple of thousand dollars on it, no more.
And, as you recall, last year, people were asking us, don't vote on the bill until you read every part of the bill. So, as a good attorney and as a good legislator, I think it's my responsibility to read the amendments.
Why did happy memories fade and blur until one could scarcely recall them at all, while horrible memories seemed to retain their blinding clarity and painful sharpness?
Look how far the human race has come in terms of air and space travel in the last hundred years. So in the next couple of thousand years, you've got to believe that we're going to be able to do all kinds of amazing things.
I don't think Indian actors are good. A couple of them are, like Anupam Kher, but not many are there like him in the industry. There are thousand of actors and actresses in the industry, but you can count on hand how many of them are really good; the rest of them are just pretty faces.
The way I write is this: I write about a thousand words a day, a little bit more. The next morning, I read those thousand words and cursorily edit that. Then I write the next thousand. I do that all the way to the end of the book and then I reread the book quite a few times, editing as go through.
The Jew has his anchorage not in place but in time, in his highly developed sense of history as personal context. Six thousand years of self-awareness are a homeland.
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