A Quote by Kevin Young
I try to have a lot of influences, which is to say not to have one specific influence too strongly; that can end up badly.
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If you are uninterested in what I say, there's an end to it. If you like what I say, please try to understand which previous influences have made you like it. If you like some of the things I say, and dislike others, you could try to understand why. If you dislike all I say, why not try to find out what formed your attitude?
Although my music is electronic, it has a lot of influences from my past, which is all sorts of genres; I've been in a rock-metal band for a long time, and I still feel like, personally, I have a lot of influence from that. My classical influence, you can find spots here and there.
People ask me about my influences and I say all the comedians in the 1970s and Dave Allen was a massive influence and a very big influence on a lot of modern comics.
Everyone has their parent's [music] collection which is strongly influences what you listen to as a kid. You have no choice. You have to listen to whatever they're bumpin. I grew up with what they listened to a lot.
I'm definitely a football fan, so I try to stay up with how teams are doing, and you end up getting a lot of buddies that play on certain teams. I wouldn't say I watch too much of other quarterbacks.
I get most of my influences from specific genres. I listen to a lot of R&B music, obviously. But, jazz, and bossa nova music, too.
I use a lot of specific places in my songs - traditionally, a lot from Minneapolis and St. Paul, where I grew up. Most people, especially when you get into international touring, have not been there. So you say, "Well, isn't it risky to talk about the corner of Franklin Avenue and Lyndale?" If you do it right, someone should say, "God, I know a corner like that." Offering specific details to describe something universal.
Because of my comedic-influence growing up, Mel Brooks, Jim Carrey, Steve Martin… A lot of Jeff comedic-influences included Charlie Chaplin and physical comedians of the silent-era. What we were able to do together is to show all these major influences but make it into our own comedy. We've seen the stereotypical boy-meets-girl story a hundred thousand times…
Under all of the factors that make up the art world, it's up to the individual artist to discern which of those influences are present and at what time and what really serves the deeper process that is constantly running like a stream underground. Influence is incessant. Influence is a fact. But, carry a big shovel and dig constantly to clear away all the unessentials so that the origins of mystery and the poetic force of life can get into and inspire the work.
I try to listen to a lot of music when I'm in the mixing process of a record, when I'm in post-production and trying to get everything to sound a certain way. During the writing process, I tend not to listen to too much music. I obviously wear a lot of influences on my sleeve, but if I was listening to too many records, I would turn into too much of a monkey.
We try to make each situation specific to the person. At the beginning of the season, we come up with, like, 50 to 100 ideas, which we workshop and then we call around to see who is interested in doing something like that. Once we find the people, we make the bid specific to them. A lot of it is about where you can get people to go physically, which is a little tricky because most actors and musicians are kind of hermits-they like to stay in their houses.
I know a lot of guys say that when they are younger - 'I'm gonna get it, get my money, and get out' - and then end up wrestling until they're 50. But that could end up being me, too. I can tell you I want to get out early and end up eating my own words. All of a sudden, I'm 50, and I'm still walking out there.
They say your childhood influences your tastes and interests, or your approach if you're an artist. So what you create, whatever you saw, whatever your childhood was like - it influences how you're going to end up.
If such external influences are intrinsic to religion, then logic and scientific thought dictate that there must be a mechanism by which this influence is transmitted. A religious or spiritual belief that involves an invisible undetectable force that nonetheless influences human actions and behavior or that of the world itself produces a situation in which a believer has no choice but to have faith and abandon logic--or simply not care.
Growing up in Miami, I had all these great, strong influences. You know, being Cuban and the Latin influence, but also the strong hip-hop influence.
I always thought I was going to end up teaching ninth grade, specifically, because I had a lot of really formative influences, I think, at that fork in the road, where a lot of crucial decisions are made by young folks.
