A Quote by Kim Jee-woon
What can possibly be the common factor in a Kim Jee-woon film? I think what really ties a lot of my projects together is that there is always a character that believes his life is not exactly the way he wishes it to be.
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What can possibly be the common factor in a Kim Jee-woon film? I think what really ties a lot of my projects together is that there is always a character that believes his life is not exactly the way he wishes it to be. My regard for that character turns out to be a very sympathetic one.
I never make films thinking 'This is my film. This right here is undoubtedly Kim Jee-Woon style.' I am not even sure what 'Kim Jee-Woon style' is. When I make films, I never allow myself to make hard-set decisions ahead of time.
Life is sinister. I don't know if I am representing life exactly, but sinister, I think it has to do with dreams. You're dreaming when you're awake: you're sitting on the subway and you look around, and you can think of sinister things that are kind of delightful to think of because they're not really happening, but they are in your mind. They're about wishes, desires - sexy, dangerous, hopeful, the way it could be, maybe.
I think people are willing to take more of a risk on an indie film, about character, etc...but at the same time, when I work on projects that are substantially bigger, in a way they do feel small. Even though the catering is way better and we actually have someone shooting with real film.... The budgets are bigger but the story still feels small, like an indie film.
I never ask my wife about my flaws. Instead I try to get her to ignore them and concentrate on my sense of humor. You don't want any woman to look under the carpet because there's lots of flaws underneath. Joanne believes my character in a film we did together, "Mr. and Mrs. Bridge" comes closest to who I really am. I personally don't think there's one character who comes close... but I learned a long time ago not to disagree on things that I don't have a solid opinion about.
At the core, I am an actress. And I think, in a way, that's a good thing in that I am, I think, empathetic and sympathetic to the film. I would never pretend to have the discerning and acute critical eye that a lot of the great critics in our business do have. I don't look at it as being a critic or placing a judgment on a film, and I do think, how do you decide which film is best anyway? It's always a little bit of a mixed bag. But, I think it is just a collective group of people coming together to honor the work of an artist - that's how I think of it.
I identify first and foremost as a fine artist. Even the way that I put words together; this could be called painterly and the combinations don't always make sense. I think there are a lot of people who are fine artists and musicians also. I think it's a common thread, the way the brain words.
Have people like Kim Kardashian really fought their way to the top on their own? Or is that just the brand they want us to see. I don't buy it. I think we flourish by working together.
Brian is an archetypal character, a bit like Don Juan, which is how I play him. He's a blast to play. He believes unapologetically in his freedom. He holds nothing back. Something I'm learning is, you can't hate the character you play. If I think my character is an asshole, that's all that will come across. He is drawn in an extreme way, but that doesn't mean he's not a person.
I'm so excited about 'Shattered;' it's something I've really enjoyed working in, and it's very different from anything I've done before. I've always been a character actor and done a lot of support work. I've never really been the lead actor, so I'll try and use what I've learned along the way from the other projects.
There should always be that leeway because if you think of your character as sort of absolutely fixed, then you just try and find actors to come and do exactly that thing, then you're not gonna be working with that actor's own set of internal impulses and who they are, so the best work is always a coming together of the actor and the character.
Overcoming fear is a critical factor for anyone who wishes to be really happy, or anyone who wishes to become enlightened
I think a lot of acting is about the removal of self-consciousness. The actor is going to be in front of a lot of people, and will naturally feel self-conscious. So a lot of the preparation for that is the removal of that idea. Like you embody or are connected to this character, therefore you can present this character in a way that eventually, when you come back to see it, you feel not exactly ashamed of.
Our two nations have a lot in common, when you think about it. We were both founded by immigrants escaping religious persecution in other lands. We both have built vibrant democracies. Both our countries are founded on certain basic beliefs, that there is an Almighty God who watches over the affairs of men and values every life. These ties have made us natural allies, and these ties will never be broken.
I really was a fan of his and always have been - his writing especially, you know? I think people a lot of times overlook that part, because he kind of got into that party character so heavy.
What I had to learn from Kim is how to take more of her advice and less of other people's advice. There's a lot of Kim K skills that were added. In order to win at life, you need some Kim K skills, period.
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