A Quote by Kim Jee-woon

I think my tendency when working is to try and find what's lacking in my current project and then tackle that in whatever I do next. — © Kim Jee-woon
I think my tendency when working is to try and find what's lacking in my current project and then tackle that in whatever I do next.
My mind is always on whatever next project I'm working on.
Whatever it is that I thirst for in my current project tends to turn up in my following project.
It's not a great feeling for a film to suffer financially, but you can't sit and mope about it. You just have to just move on to next project - I try to always be working on a new project when my last one hits the theaters.
I try to just be open to what the next experience is and how it makes me feel, just reading a project, or trying to get involved with a project, or thinking about a project, and what particular emotional flavor that brings. To me, it's never really about planning the next thing, or the career arc. It's about investigating how I feel, from project to project, and finding things that I haven't explored and what that would be like.
I don't strive for balance. I just try to get through my to-do list, with my kids' homework being at the top of it, and then try to prepare for the next audition or whatever scene I'm shooting next. Balance.
My students frequently ask what their next project should be. My advice: immerse yourself in the music you love and you will find what you want to do; you will discover your next project.
I can't control life for my grandchildren, so how could I control a story? Sometimes I try to force something, and after working and working on that chapter, I realise that I am swimming against the current. I will never get there. So I have to let go of whatever previous idea I had about it and let the characters decide.
You shouldn't be afraid of failure - when something fails, you think, 'What did I learn from that experience? I can do better next time.' Then kill that project and move on to the next. Don't get disappointed.
I don't really pay too much attention to designers, I know what I like and I just try to find it, and I always try to find a cheaper deal because I have a tendency to be a cheapskate sometimes.
You try and nurture the relationship. This day and age we have to do a little more networking than we used to do. All that does is make sure you befriend the people you are working with on a project so you hopefully carry it over to the next one.
October's a busy month for me. I usually find myself working but I also try to do one or two conventions in that period. Then whatever city I'm in, they want to drag me to their local horror theme park.
I is a militant social tendency, working to hold and enlarge its place in the general current of tendencies. So far as it can it waxes, as all life does. To think of it as apart from society is a palpable absurdity of which no one could be guilty who really saw it as a fact of life.
Oftentimes, actors don't have the luxury of picking their part. You go from one project to the next, and you hope that you find one that fits you and that you're suited for, and then they see that you're fit for it.
When I'm in the studio I just try to zone out and not think of whatever is in the industry, if it sounds too much like someone else, I have a tendency to erase it.
When I work on something I'm not excited about or not as proud of it as I'd like to be, then I try to work even harder to make the next one and address those insecurities, I tackle insecurities rather than run from them.
When you're working in service to a big project, there's always the question of, 'Is there total freedom to do what I think is right artistically, or is this a job?' It's okay for things to be a job. I'm perfectly comfortable working. I don't need to sit around and quench whatever personal artistic thirst I have at all times.
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