A Quote by Kim Ki-duk
I don't really know how I grow. I can only see the changes when I look at the films.
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It isn't a circle--it is simply a long line--as in geometry, you know, one that reaches into infinity. And because we cannot see the end--we also cannot see how it changes. And it is very odd by those who see the changes--who dream, who will not give up--are called idealists...and those who see only the circle we call them the "realists"!
The whole sexiness thing-I don't know if I'm comfortable with that. But it has helped the sport grow. I think it changes how people see women's athletics.
I feel that so many sci-fi films and films in general have just become really dependent on and addicted to CGI, and that some of the big CGI films of the summer, you see these effects that look like crap. You don't know if you're watching a cartoon or something that's real. And I didn't want to fall into that trap. I really thought there was a way to use a lot of these old techniques to do some new and really neat stuff.
Your look changes depending on your confidence, and then your beauty changes. When I first came to New York, all the people were saying, 'You look so Asian because you have a different eye shape.' They didn't really understand because they didn't really see that many Asian models.
When we look at films, we usually see only the action. Yet it is the decision to act that helps us understand how the character's mind works.
At a shoot, I'm really aware of everything. When they do makeup, sometimes I can't see what they're doing, but I can feel it. I know what I look like, even when I can't see what they've done. I know how to compose myself.
You know, being in a rock band, you can't overdo the costume changes too much because everyone thinks, oh, that's not a real rock band. Look how many times he changes costumes. That's not rock. Rock's about going on in a T-shirt and staying in it and getting it all dirty. But that's not really my approach.
You know how in football, guys throw defenses, and the defense throws you a look, but the look is not really what it is - it's only made to fool you. It's the same thing with drugs. The drug is only an illusion to draw you in.
As a man - no longer a teenager that can play those really young roles, but as a man - I think I've only just got good in the last three or four years. I only watch my old films because, as someone who wasn't trained, that's how I look at my mistakes; I see something and I go, "Well, that's not good," and I learn from my mistakes. Same with the writing and same with the directing.
To see talented people in roles that others might not see them in, to see how they might fit in the puzzle of the cast, has always been something that I've been good at. I think that if you look at the successes of my films and start to peel them back, there's usually a really smart casting decision that has gone into that success.
It changes your perspective to be able to look out the window and see the planet. One of the thoughts that I had when I first got up here was, 'We really do live on a planet, and we are in a solar system, and we are flying through space right now.' I mean, this is something that you know, obviously, but to see the planet - it's amazing.
I think that's one of the advantages for me. I know I have so much to learn. I have to grow. It allows me to look at my mistakes and evaluate them and try to see how I can do better.
But everybody has exactly the same smiling frightened face, with the look that says: "I'm important. If you only get to know me, you will see how important I am. Look into my eyes. Kiss me, and you will see how important I am.
There is always something to see, if you only know how to look.
What we see changes what we know. What we know changes what we see. Perception, belief, action, and change are codependent.
You know what? As a black person, you see so much racism. Films are no different than the government, politics - it's everywhere. It's not exclusively film. It's infuriating to see it in film. But my being in film changes things.
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