A Quote by Kimora Lee Simmons
I think my customers, my fans are really like my family now - it's like a movement of fabulosity.
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Clubs have sponsors. They are just there for commercial reasons but the club calls them partners. Then you have the fans. The fans are emotionally involved, they are loyal, and the clubs call them customers. I think fans owning a share of the club would mean the owners know what 'customers' really think and feel.
Working with a company like LIDS just makes sense for us. Every night, we play a song we wrote that has now become a hit and was inspired by seeing so many of our fans wearing Snapbacks. Our fans are LIDS customers, and we are excited to partner up and bring them into the Old Dominion family.
Fans don't know what they want. Fans are like, 'Oh, I want the stuff that you did in the last album because I really liked it, and if you don't do that, I'm not going to be your fan no more.' Or they'll be like, 'I didn't like that project. He doesn't sound like him on it,' or 'You're wack. You're mainstream now.'
If you ask who are the customers of education, the customers of education are the society at large, the employers who hire people, things like that. But ultimately I think the customers are the parents. Not even the students but the parents. The problem that we have in this country is that the customers went away. The customers stopped paying attention to their schools, for the most part.
That's what YouTube's become, it's become like a lot of vloggers capitalizing on this sort of like "My fans, I love my fans, hey guys." I've grown up and kind of been disgusted by that. I think it's using people, I think it's like encouraging something that's unhealthy, telling people you love them. "I love you." Oh really, you love your fans? You love the people that give you money and attention? Of course you do, that's not selfless that you love your fans, that's ridiculous.
Customers will always be nervous about lock-in, and I think the experience they had particularly with a company like Oracle, where it's a really hard thing to get out of, and they're so hostile to their customers, that I think it's a concern for every enterprise.
I always work on the songs all together up until the very end. I never mix a song and think, "Okay, now that one's done." I think that's why it feels like songs are really connected, and I like that. They're all worked on kind of like a little family.
I make my fans feel like they are part of the movement, and if you a fan of the movement, you're going to feel like you ride with me.
Not being in tune with your customers is like living in an alternate reality; the way you think your customers feel about your product is not always the same as what your customers really think about your product.
Luckily, now I think that I attract people that are really nice, like my fans, who are really lovely people. They are really encouraging, and they help other people out as well, which, it's really great.
Sometimes when my fans come up to me, they think it's going to be entertaining, like I'm going to tell jokes or do bits, and then instead of that I end up talking about really mundane things with my fans, and then they're kind of like, "This is boring. I want to go talk to somebody else." I think I bore my fans to death by over-talking to them.
I give my body and soul to defend this club and for all the fans who come to see us. I have never thought about leaving. I really like being at Madrid, the fans like me and I like them.
For my family and Howard's partner, who is like family, for 10 years we were in a state of shock. It takes time to appreciate fully what was going on then. That's connected because post-9/11 New York is so completely different from the way it was and the counterculture movement going on before then was so remarkable; I think people are appreciating it a lot more now.
Fans give me yellow things, and I think now what's really fun is, when anyone sees yellow now, they'll think of me. Now it's kind of like this self-fulfilling prophecy: Yellow things come to me.
My elections are really not about campaigns. I tell my people that these are about a movement. And a movement to do what? To restore common sense. A movement to do things like provide economic growth. And a movement not to let anybody be behind.
I think younger fans can't quite grasp that's what you do as an actor. They're like, 'It doesn't make sense. How can he talk like this when he talks like that on the show!' It's really cute, actually.
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