A Quote by Kodi Smit-McPhee

'The Road' was my first American film, my first film in the snow. The first of everything. So, I was jumping into it, and that was pretty grueling. — © Kodi Smit-McPhee
'The Road' was my first American film, my first film in the snow. The first of everything. So, I was jumping into it, and that was pretty grueling.
As I talk to film students now especially, I say, "The easiest job you'll ever get is to try to make your first film." That's the easy one to get, is the first film because nobody knows whether you can make a film or not.
When I made my first film I was 25 years old, and that's pretty rare. Being so young my experience and the thing that I wanted to talk about was teenagehood, plus in France we have that strong tradition of the coming-of-age story being made as your first film.
My first film festival and my first film that I've ever been in, 'Martha Marcy May Marlene,' that was at Sundance.
I did my first film Junglee and it became a hit. That film was the first one to bring the real colour on the big screen, which was Eastmancolor.
Part of my claim to fame is that my first film was also Johnny Cash's first film.
I remember when I was like 19 years old and I started a desk calendar company to pay for my first short film, just so I could say one day that my daddy didn't pay for my first short film. And I really established myself in the film festival world.
Your first film is always your best film, in a way. There's something about your first film that you never ever get back to, but you should always try. It's that slight sense of not knowing what you're doing, because the technical skills you learn - especially if you have a film that works, that has some kind of success - are beguiling. The temptation is to use them again, and they're not necessarily good storytelling techniques.
To what extent a film works is beyond me. My first film 'Aashiq Banaya Aapne' did wonders at the box office. Then 'Chocolate' was also quite popular, but it didn't have the same effect as the first one.
I guess my first digital movie was 'Tintin' because 'Tintin' has no film step. There is no intermediate film step. It's 100% digital animation, but as far as a live-action film, I'm still planning to shoot everything on film.
I'd never been to Africa. This really was my first film [The Lost World]. I'd done 10 years of stage. I'd done a little bit of television. But this was my first film.
'The Quiet Ones' was my first film, let alone my first horror film, and I had so much fun. I had such a laugh, every single day. I look like such a feral child in it.
'Dil Chahta Hai' is not the first film about friendship. 'Lakshya' is not the first film about war and coming of age.
I signed my first film soon after I graduated from college. So, my real struggle started after my first film didn't do too well. But I believe failure only makes you stronger.
We made 'Mickey and the Bear' with barely any money with a first-time director, a first-time director of photography, and a crew who had just graduated from NYU film school. We were all very much in this together for the first time. There's no famous actor or big explosions. It's not a Marvel movie. I thought nobody was going to see this film.
I really discovered [Dr.Strange] through hearing about this film and first meeting Scott [Derrickson] and getting into it and just opening up and saying, "Okay, this is, like all comics, very much of its era," and my first question was, 'How do you make this film? Why do you make this film now?' and the answers were so enticing that I was like, "I'm in."
After you've done the first feature, then you have heck of a difficult time getting your second film off the ground. They look at your first film and they say, "Oh well, we don't want you anymore."
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