A Quote by Kresley Cole

The one test I have for every completed book is if I feel head over heels in love with the hero. If he hasn't stolen my heart from the previous hero, I know the book isn't right.
My heart right now is totally connected to a book called The Servant of the Bones, which is not in any way connected with vampires or witches. It's about a new hero, a ghost, who really doesn't particularly like the job that he's been given. I'm in love with this hero and in love with his dilemma.
When I wrote the book, I thought that I was the hero of my story. And in writing it, I came to realize over time that my mom was the hero. And I was, you know - I was just her punk-ass sidekick.
We have these rules, the 'hero rules.' Like, a hero doesn't slouch. A hero walks proudly with his head up. A hero walks with a purpose. A hero's always a gentleman.
Heroine: Girl in a book who is saved from drowning by a hero and marries him next week, but if it was to be over again ten years later it is likely she would rather have a life-belt and he would rather have her have it. Hero: Person in a book who does things which he can't and girl marries him for it.
It's really irritating when you open a book, and 10 pages into it you know that the hero you met on page one or two is gonna come through unscathed, because he's the hero. This is completely unreal, and I don't like it.
I always favor the hero and heroine from whichever book I've completed most recently. Yes, I'm faithless and fickle!
When I was a child I was a dreamer. I read comic books, and I was the hero of the comic book. I saw movies, and I was the hero in the movie. So every dream I have ever dreamed has come true a thousand times.
Here's the point - and Jonah Goldberg reminds us of this. He wrote a blog post that was titled "The MacGuffinization of American Politics." Do you know what a MacGuffin is? "'In a movie or book, 'The MacGuffin' is the thing the hero wants,' Ace writes." So in the Maltese Falcon, for example, the hero wants the Maltese Falcon, but there's always somebody trying to stop the hero from getting what he wants.
Every good story needs a hero. Back when I wrote 'The Search,' that hero was Google - the book wasn't about Google alone, but Google's narrative worked to drive the entire story.
But to me, the most important page in my daughter's book is the last one - because it's blank. It says 'Your Hero's Photo Here,' and 'Your Hero's Story Here.'
But to me, the most important page in my daughter's book is the last one - because it's blank. It says, "Your Hero's Photo Here," and, "Your Hero's Story Here."
You know who it is? It's me in 10 years. So I turned 25. Ten years later, that same person comes to me and says, 'So, are you a hero?' And I was like, 'not even close. No, no, no.' She said, 'Why?' I said, 'Because my hero's me at 35.' So you see every day, every week, every month and every year of my life, my hero's always 10 years away. I'm never gonna be my hero. I'm not gonna attain that. I know I'm not, and that's just fine with me because that keeps me with somebody to keep on chasing.
The book says, 'Vanity Fair - a story without a hero.' Becky is effectively the protagonist, the hero we follow. But she is flawed. Becky is a subject of her own time.
I don't really distinguish between a fictional hero and a real life hero as a basis for any comparison. To me, a hero is a hero. I like making pictures about people who have a personal mission in life or at least in the life of a story who start out with certain low expectations and then over achieve our highest expectations for them. That's the kind of character arc I love dabbling in as a director, as a filmmaker.
Dost thou know what a hero is? Why, a hero is as much as one should say, a hero.
I often have the impression that the book I've just finished isn't satisfied: that it rejects me because I haven't successfully completed it. Because there is no going back, I'm forced to begin a new book so I can finally complete the previous one.
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