A Quote by Kristen Stewart
Every movie that I've done, they don't stand independently from one another because a little bit of me is in every single one of those, and it's part of my own personal growth.
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Every single character I've ever played has a little bit of me in them just because every single human in the world has a little bit of everything in them.
I think the toughest thing is to describe what a producer does because they basically do everything. They follow a project from the start through the rest of its life and, along the way, are a part of every single aspect of its growth. It's tremendously enriching, though, because you get to know and live with the movie in its entirety.
...we have to surpass ourselves every day, make every day undying. Climb our own personal Everest and do it in such a way that every step is a little bit of eternity. That's what the future is for: to build the present, with real plans, made by living people.
When I was a kid, you went and saw movies. You knew very little about the actor's personal life except what would be, like, in Photoplay or something. We didn't hear "The Making of..." every single movie, and actors didn't have to put this tremendous piece of work that they'd done into a sound bite.
Our hope is that every single day the work we're doing is helping to make the American people just a little bit safer, a little bit more prosperous, a little bit healthier.
I think every movie I've made after 'Indiana Jones,' I've tried to make every single movie as if it was made by a different director, because I'm very conscious of not wanting to impose a consistent style on subject matter that is not necessarily suited to that style. So I try to re-invent my own eye every time I tackle a new subject.
In spite of what are unprecedented measures in scale and scope, I can't stand here and say I can save every single job, protect every single business or indeed every single charity. That's just simply not possible.
I've never done a studio movie, let alone worked for a network. Every one of my films has been independently financed.
The movie is usually, for me, something organic that grows all the time. I sit home and write it, and I'm in an isolated, four-walled environment, and I don't know what's going on. I just write it, and it's appearing in my head in some idealized way where every single moment works, and every little thing is perfect, because it's in my head.
Every part I've done has been for one reason or another-money, or the part, or the director, or the location. I'd like to get one thing that's all of those combined.
I'm trying to change theater, in my own way - not just magic. I say that humbly, because I'm learning every single day. I do 15 shows a week, and every single audience I have is like a test screening for you, when you listen and go, "Really? They laughed at that?" All over the stage I have lines, written onstage, that I'm changing every single day.
I respect every guy that has walked away. I think every single guy in this league makes his own decision, and that's perfectly fine. The reason I respect that and the reason I think every guy has his own way of dealing with things is because, in my personal opinion, I know what I'm getting into.
With every character you play you're always trying to put facets of yourself into those characters. I think Asher, at the beginning of The Giver, when he's goofy and a little bit of a rule-breaker, a little bit of a jokester, I align with him. But then he kind of transforms throughout the movie and becomes someone I don't necessarily relate to. I relate to Adam McCormick's sensitivity. He's more quiet and introverted, and I definitely have those moments as well.
I've won every single event there is to win as a wrestler, and I still continue to come back every single year. The hard part for me is, 'OK, how long can you do this?'
There's very much a domino effect when I'm playing. In fact, that's a good way of putting it. I'm trying to topple all the dominos in a single stroke. That would be a show with perfect momentum. Every now and again, you get one of those dominos that moves to the side a little bit, traps things and you have to stand them all up again and see if people will go with you. They'll let you off a few times but if you make too many mistakes they'll get a bit anxious.
Coming from the world of animation, every single line counts; every single gesture counts. You put thought into every single one of those things and the way a frame is composed.
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