A Quote by Kriti Kharbanda
While acting, you just go with the flow of what you are feeling, but dubbing requires recreating and reliving those emotions all over again. So it's very necessary to match up to the performance in front of the camera.
Related Quotes
Acting. Whenever I am playing a character, I use my real life experiences, which puts me on the line of reliving some of those good and bad times. Acting requires risk, and that's what feeling vulnerable is.
I felt very insecure about whether I was up to recreating my stage 'Fagin' in front of a camera.
It was extremely useful to grow up in front of the camera. It gives the camera no significance. I think it helped me have perspective on things. The attraction that Hollywood can have, I feel like I'm over that. Instead I just concentrate on acting.
I'm quite fluent in Telugu now, but there's a difference between talking and dubbing. While dubbing, the diction must be in sync with the emotion in the scene and would impact my performance.
Acting is very sacred. Anyone who stands in front of a crew with the camera recording their emotions is a brave individual.
I tend to want to go quite big in my acting, which you just cannot do in front of a camera. It's taken me a while to learn how to pull it back.
I could never imagine myself acting in front of a camera or doing anything in front of the camera. I was a very shy girl.
When you do a four-camera sitcom, everything is a little schtickier. It’s not necessarily that you pick up bad habits, but there is just a very specific way of acting that you fall into on those kinds of multicamera shows, and you have to break those habits when you go in to do other things.
When you're acting in front of a camera, you can really give all of your emotions with your eyes so the camera can see it. When you're in voiceover, you can't do that at all. It's a lot tougher because you have to convey this emotion, and you have to have a lot of trust in the animators.
'Scandal' has been, for me, the most consistent time I've ever logged in front of a camera. I grew up in the theater, and I feel very confident and comfortable on the stage and in front of a live audience, but the camera is a very different medium.
I had done some stuff on camera, then I did some film dubbing when I lived in Europe. When I came back, I'd considered doing on-camera work again, but I didn't really like it.
After dubbing my lines for the first time, I'd say it's more difficult than performing in front of the camera.
It's all performance and my acting background made me very comfortable in front of people, in front of cameras. It helped me think on my feet in front of a crowd.
With film acting, and often when the camera comes very close, you just have to think about something and the camera will pick it up.
I couldn't be 'Johnny' in front of a camera in acting jobs and behind the camera I like to be 'Michael.' With directing, you can't do it by halves. There's a lot of reflection, and I have found that I, as 'Michael,' thrive on it. It's lovely coming home and feeling that stuff from a day's work as myself.
I stood in front of a mountain and was overwhelmed by the beauty and energy; I had goosebumps. I thought, if I could record this feeling, go back home and pour it out again so other people can have that feeling, this I would want to be my work. I knew it was acting - I wanted to be like a messenger or medium.
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