A Quote by Krzysztof Penderecki

I accept all of the music that I wrote. — © Krzysztof Penderecki
I accept all of the music that I wrote.
I wrote 'Love Foolish,' and when I heard the music for the first time, it felt like this was a song that Twice hadn't done before. I thought the song and music had a very mature tone, so I wrote the lyrics to match. I was inspired by the music directly.
In the immediate aftermath of the separation I just wrote and wrote and wrote. And wrote and wrote and wrote. Thank God I had that as an outlet.
I wrote The Same Sea not as a political allegory about Israelis and Palestinians. I wrote it about something much more gutsy and immediate. I wrote it as a piece of chamber music.
There is a big difference between No. 1 and No. 2. I don't care who wrote it. I'd love to one day have a No. 1 that I wrote, but if that ain't in the cards, whatever. My job is right now is to make the best music I can and try to get it to the people, whether it be something that I wrote or not. It's my job to be the best I can for the fans.
I wrote 'Threnody,' then I wrote several works where I changed my music completely.
Within Klaxons, I never wrote the lyrics. I always wrote the melody and music with the other guys.
In the hip-hop community, it's about how real are you, or how strong can you be, and really my music just reflects me. If you can accept me, then you can accept my music.
In the hip-hop community, it's about how real are you, or how strong can you be, and really my music just reflects me. If you can accept me, then you can accept my music
Did you follow what [General Yehoshafat] Harkabi wrote? Formerly of the Israeli military intelligence service. Remember him? Did you follow what he wrote? He said that it was for the sake of the existence of Israel that we have to accept the rights of the Palestinians to have their independent state.
Mendelssohn never wrote any Water Music. However, he wrote the Scotch Symphony, which is even better, or at least stronger.
I did take composition lessons when I was in high school, so I wrote piano pieces. I wrote some chamber music. I don't think any of that was particularly interesting.
I wrote for magazines. I wrote adventure stuff, I wrote for the 'National Enquirer,' I wrote advertising copy for cemeteries.
Regarding The Music Man, Jay Nordlinger wrote: The Music Man (for which Willson also wrote the lyrics) is an astonishing creation. It came in a spurt of brilliance. It is shot through with originality, verve, and-why not go all the way?-genius. People love it, can't get enough of it, can't stop performing it-and they are not wrong. For closing in on a half- century now, The Music Man has been performed continually, in every American city, town, and village, and in other parts of the world as well, not excluding Peking.
When we decided to marry, we had two ceremonies - one was more bureaucratic for the sake of the Swiss authorities,then a church service in Florence, and I wrote the music for the church service. The challenge in that was that Iman's [Abdulmajid] family are Muslim and mine are Protestant. I had to be careful about the prayers that we chose and the music I wrote because I didn't want to offend either side.
I was criticized by some people for my first album because they said I was taking sacred music. They knew nothing about what I was doing. That was no sacred music; that's music I wrote.
I accept full responsibility for what I wrote and apologize to everyone who was offended.
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