A Quote by Kurt Sutter

I always have a sense of where I want to end each season, emotionally and relationship wise and with the theme, and I'm always able to hit that. — © Kurt Sutter
I always have a sense of where I want to end each season, emotionally and relationship wise and with the theme, and I'm always able to hit that.
For thousands of years, father and son have stretched wistful hands across the canyon of time, each eager to help the other to his side, but neither quite able to desert the loyalties of his contemporaries. The relationship is always changing and hence always fragile; nothing endures except the sense of difference.
As long as you're giving up quality records and you're makin' hit records, people are always gonna want to hear a hit, and they'll always want to be attached to something that's doin' great.
As long as you're giving up quality records and you're makin' hit records, people are always gonna want to hear a hit and they'll always want to be attached to something that's doin' great.
I always try to hit a few areas when I'm making a record; I want the sounds to be experimental and exploratory, I want the drumming to be distinctive, and I want my voice to be able to shine through.
I've always been able to sense the relationship between two people based on how one person says the other's name!
I think it's important to have closure in any relationship that ends - from a romantic relationship to a friendship. You should always have a sense of clarity at the end and know why it began and why it ended. You need that in your life to move cleanly into your next phase.
I don't want our relationship to end like this. You're one of the very few friends I have, and it hurts not being able to see you. When am I going to be able to talk to you? I want you to tell me that much, at least.
If we want to fight at the end of the season for big things and to lift trophies, you need to keep that intensity always.
You know, when it was done originally, they always had to fight to keep it going at the end of each season. Now, The Odd Couple has become part of our language and culture.
In Twenty20 it's not always about straight drives and high elbows. It's amazing how far you can hit the ball. I've always been able to hit the ball far but not consistently like I have in practice over here. I'm enjoying it so much.
Yeah, at the end of the year you always sit back and you evaluate, and unless you have a perfect season with no misses there is always room for improvement.
I want to evolve each season. I never want to be one of those brands where people know what they're going to see. I always want an element of surprise. One thing I never want to do is copy what anybody else is doing. I have a signature, and it's very important to me to stay true to that.
In one sense 'there are' both universals and material objects, in another sense there is no such thing as either: statements about each can usually be analysed, but not always, nor always without remainder.
People always ask how fame has hit me, and rarely do I feel it emotionally.
I'm always interested in relationships between women. I'm always interested in how women relate to each other, whether it's a family relationship or it's a friend relationship. That's such uncharted territory in cinema.
There's always a tone that you have to hit right in horror. With the blood, you want to make sure that it makes sense all along.
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