A Quote by Kurt Sutter
Unlike fiction, which you create before you go into production, with reality you kind of create it after everything is produced. The drama and the storytelling is really done in post.
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Whatever comes to us in life we create first in our mentality. As the building is a reality in all its details in the architects mind before a stone or brick is laid, so we create mentally everything which later becomes a reality in our achievement.
You do a drama, and you are limited by the rules of reality, and in science fiction, you create your own reality. Some people find that daunting; I find it challenging.
When we make films - even 2D films - you're always trying to create this illusion of 3D, anyway. You're trying to create a believable world with characters walking, in and out of the perspective, to create the illusion that there's a world. The desire and drive to create this illusion of three-dimensional space is something that is true about every kind of film because you want the audience to really be experiencing it, first hand. It's a natural extension of the storytelling and the process of filmmaking.
Reality is not so much what happens to us; rather, it is how we think about those events that create the reality we experience. In a very real sense, this means that we each create the reality in which we live.
I would say that the evocative qualities of music are usually put there in post-production in the reverb. It's really not much about the musicians as the engineering. It's post-production that's being done by the musician at the time.
We live within this reality we create, and we're quite unaware of how we create the reality. So the work is often a general koan into how we go about forming this world in which we live, in particular with seeing.
I create music; I create painting; I create whatever I want to create. I create, what you say, clothes. I create, I don't know, dance move. I create anything.
I just kind of dive in if I think I can create something that will make a difference and then try to get the numbers to stack up after the event. So most of the things I've done I would not have done if I'd have asked the accountants to look at them before.
I think it's very important for any actor to eventually produce, and create the projects they want to create. I believe it's all a part of the same art form, which is storytelling.
You create a friendship on a level that you've never done before. The basic kind of experience is to basically give love to total strangers all the time, and that really changed everything in me. And this piece transformed me more than any other one before. I saw my entire life differently. What do I have to do? What is my passion on this planet? I'm much more focused than I ever was before.
As an actress, I think I really understand that stage where you think you are picking reality in order to feed the fiction, but it happens to be the contrary. It's the fiction that suddenly feeds your reality. And you don't know how it has been done. That's the kind of magical transposition that is art.
I produce the way I would love to be produced: In ways to create the best conditions to make your movie, but also to create a space in which the director calls the shots.
I think that the idea of boundaries is being challenged everywhere. And I think our fascination with sci-fi is that it is a boundary-less world where we can kind of create the reality that we believe to be as opposed to the reality that is. It is about the beyond and the unknown in a different way than pretty much any type of storytelling is.
I am not afraid of beauty, unlike most artists today. The pollen, the milk, the beeswax, they have a beauty that is incredible, that is beyond the imagination, something which you cannot believe is a reality-and it is the most real. I could not make it myself, I could not create it myself, but I can participate in it. Trying to create it yourself is only a tragedy, participating in it is a big chance.
We don’t create a fantasy world to escape reality, we create it to be able to stay. I believe we have always done this, used images to stand and understand what otherwise would be intolerable.
I'm a visual filmmaker so the camera is a big part of my storytelling tool and it's something that I really rely on to tell a scene or create the suspense that I need and create the emotion of a scene or a sequence.
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