A Quote by Kurt Sutter

My wife, Katey Sagal, has transformed herself from a sitcom cartoon to a dramatic powerhouse. — © Kurt Sutter
My wife, Katey Sagal, has transformed herself from a sitcom cartoon to a dramatic powerhouse.
I don't think Peg Bundy was very much like Katey Sagal. Definitely the wardrobe Gemma from Sons of Anarchy wears might be a little more like Katey Sagal. I mean, any time you play anything, there's pieces of yourself that you're kind of elaborating on. I mean, you're using parts of yourself.
About 1998, my best friend, Katey Red, was the first transsexual male to come out with bounce music. And I background Katey for about two years. And then that's when the game totally switched when me and Katey jumped in it.
I probably would be continuing to do voice-overs, continuing to do cartoon shows, and at the same time I'd probably be on a sitcom or a dramatic television show.
Katey Sagal, you are an incredible actress. You worked on ‘Married with Children,’ the show that changed comedy, ‘Sons of Anarchy,’ the show that took comedy to a whole new level and ‘8 Simple Rules,’ the show that killed John Ritter.
What I've learned, more than anything, as a young actor who has been in the business for 10 years, is just to be around guys and girls, like Ron Perlman, Bill Lucking, Kim Coates, Tommy Flanagan, Katey Sagal, who have been in this business for a very long time, and to learn what to do and what not to do from them, every day, and to see how they navigate through their Hollywood life.
The humor is essentially dark for a cartoon and sophisticated. But at the same time, being a cartoon gives the writers more freedom than in a normal sitcom. It always pushes the line that, despite human failings, the Simpsons are really decent people.
The most dramatic moves I have made as an actor have been from stage to screen and from sitcom to drama.
My wife is a social worker and a feminist, and it feels natural to me to have these relationships with these powerhouse women that I have had.
The spectator-buyer is meant to envy herself as she will become if she buys the product. She is meant to imagine herself transformed by the product into an object of envy for others, an envy which will then justify her loving herself.
I think my wife has always been aware, whatever country we have been in, of my dramatic leading man status; a little too dramatic she would probably say.
One way to escape the universe in which everything is a kind of media cartoon is to write about the part of your life that doesn't feel like a cartoon, and how the cartoon comes into it.
If the man be really the weaker vessel, and the rule is necessarily in the wife's hands, how is it then to be? To tell the truth, I believe that the really loving, good wife never finds it out. She keeps the glamor of love and loyalty between herself and her husband, and so infuses herself into him that the weakness never becomes apparent either to her or to him or to most lookers-on.
The cartoon me writes the books cartoon people read in the cartoon world, because they need things to read there too.
My wife doesn't want to go. She says, 'I am your wife, I will do as a wife should.' But she is worried about what she will do in Chicago, all by herself.
Madam Walker was a woman who transformed herself in a very American, rags-to-riches way.
The big influence on me was Robert Altman, who, especially in 'Nashville,' transformed my sense of dramatic structure and showed how you could handle overlapping stories.
This site uses cookies to ensure you get the best experience. More info...
Got it!