A Quote by Kurt Sutter

Actors always feel more comfortable when there's an actor directing, in terms of vocabulary and breaking down a scene. — © Kurt Sutter
Actors always feel more comfortable when there's an actor directing, in terms of vocabulary and breaking down a scene.
I feel that's a good thing as an actor that you do not feel satisfied. Whenever I go back and watch myself on screen, I find multiple reasons to redo that scene. That's an occupational hazard that most actors face. You can never come to terms with it.
It's no good in a scene to have one actor lie down because the scene says it's the other actor's moment. Each actor has to believe that with extra will, the outcome of a scene can be different. An actor can win the scene if he exerts the most powerful will in that moment.
Stepping out of the director's chair completely and into a scene as an actor was weird. It was more excitement about directing than anything, but I was on a high from being a director and enjoying that process so much that going back to being an actor was almost secondary because I really was loving directing.
Directing non-actors is difficult. Directing actors in a foreign language is even more difficult. Directing non-actors in a language that you yourself don't understand is the craziest thing you can possibly think of.
In terms of animation, animators are actors as well. They are fantastic actors. They have to draw from how they feel emotionally about the beat of a scene that they're working on. They work collaboratively.
Directing is more comfortable for me because, as an actor, there's always something inherently false. Because I'm not that person.
The nudity is down to the individual actor or actress. If they feel comfortable and it's done in a way that they feel comfortable doing, then who am I to say anything?
Directing myself definitely made me a better actor. And, you know, I think actors have the best track record when they turn to directing. Writers, too. I knew how to direct actors because I've been there and I know what I like.
As far as working with actors, I feel very comfortable working in that aspect of directing.
I don't think the concept of "directing actors" exists in the sense that if you get what you order from an actor you'll always get bad acting. Every actor is scared just like a regular person.
I think all the actors I've worked with knew that I was an actor. Like, I get into the dirt with my actors and we figure out the rhythm of the scene and how it needs to sound and what the blocking is, the way you would with another actor.
Some friends of mine who are actors feel directing shuts them down and kills all their impulses, but the worst thing for me is if I feel a director hasn't noticed.
I love actors and I understand what has to happen within a scene. Any scene is an acting scene and actors never act alone, so there has to be an interchange. If it's a dialog scene, if it's a love scene, it doesn't matter because you need to establish a situation.
I have been directing and involved in producing and the creating of films for quite a while as well as acting. I always think in terms of what the director needs, and not just for this scene but for the film.
If a female actor is not comfortable with how a scene is shot and says no, it means no. They should not go ahead with the scene.
It's natural for any actor that segues into directing to be an actor's director. You know how to relate to the actors.
This site uses cookies to ensure you get the best experience. More info...
Got it!