A Quote by Kyle Cassie
When your set is led by a great guy and visionary like Director Tim Miler and a true superstar talent like Reynolds who's so easy to connect and improv with it allows it to be a lot of fun along the way.
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It's great when improv is encouraged. It's a really fun thing. It depends on who's in the movie and how their process works, as well. It takes a director who is open to that because you have a script, but then something funny could happen on set. So, to have people around you who encourage improv is really exciting.
The program director at a radio station, by the way, is not the superstar. If he was a superstar, he'd be out creating songs, but he's not. But he wants to act like he has control and power.
Choose a love and work to make it true, and somehow, something will happen, something you couldn’t plan, will come along to move like to like, to set you loose, to set you on the way to your next brick wall.
The great thing about [Michael] Jordan was that he made them want it just like he wanted it. And a lot of times like a lot of the basketball players, not to be getting on basketball, but, with a lot of the basketball players you might have one superstar on the team, and they're not willing to play up to par with the way he is, so they don't make it. But then you have some celebrities on the basketball team, and they don't know how to get along with each other!
It's great when improv is encouraged. It's a really fun thing. It depends on who's in the movie and how their process works as well. It takes a director who is open to that because you have a script, but then something funny could happen on set.
When you're a lead role, I'm learning that you set a tone for the movie in a way, like a director does, or like other actors do. But it seems like you set a mood on set.
Big Fish was the first movie that we worked on together, and I had already written it. We had another director, but that director didn't do it. So, it was just a Hail Mary to Tim, and Tim said that he wanted to do it and I was like, "That's fantastic!" But, there wasn't a lot of collaboration because he knew what he wanted to do and just did it. There were very minor changes for Big Fish.
There is no actor in the world with such talent and charm that could play Deadpool as well as Ryan Reynolds. Working with him was a fantastic experience, and his ideas and suggestions helped me out a lot. It was just great fun to work one-on-one as Deadpool and Colossus.
A million pounds sounds like a lot of money now that I'm saying it. But in terms of moviemaking, it's not a lot of money. And yet you can see what can be done with that, with the talent of a great cinematographer and great director and actors.
If a producer has 5 million bucks tied up in a picture, he's not about to let a guy like Burt Reynolds wreck a car when he can get a dummy like me to do it. But some stars would make good stuntmen. Reynolds is one of them. Bob Fuller and Doug McClure are strong, tough guys with plenty of courage, too.
I love it when people make things look fun and easy. Guys like Dane Reynolds and Kelly Slater and Pedro on a skateboard, they're never forcing it.
I had great luck with Tim McGraw twice in 'Friday Night Lights' and 'The Kingdom.' I love finding off-beat casting and finding someone you know in one way and you reinvent them in another way. I like doing that as a director.
It's hard to run a mile when you're not a miler and to kick when you've led all the way.
If a director brings a guy to their movie who does improv, they've got to let him do what he does - otherwise it's like bringing Michael Jordan to your basketball team and telling him to just pass the ball and don't shoot.
I really like LED signs because I feel like they're a really easy way to decorate a house and make it feel like it's a lot cooler than it actually is.
Ladies like improv stilts, and I think men like improv giant cocks. But one of the great things about improv is that you get to play some roles you'd never get to play otherwise, you know, like the old Italian pizza-maker who's passing on the business down to his son. You get to play it all when you improvise.
