A Quote by L.A. Paul
While I do not agree with all of the claims made by experimental philosophers, especially those who seem to think xphi will somehow replace the rest of philosophy, I think xphi projects are interesting and important, I love Josh Knobe's work, and that these projects contribute something new and worthwhile to the philosophical conversation.
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The kind of approach I take is different from much of experimental philosophy. Although the experimental philosophers and I are certainly in agreement about the relevance of empirical work to philosophy, a good deal of their work is devoted to understanding features of our folk concepts, and in this respect, at least, I see them as making the same mistake as those armchair philosophers who are interested in conceptual analysis.
Well, one measure of a good life, I think, is to be engaged in projects that one thinks are meaningful and worthwhile. So I would put the emphasis of a good life on activity, on the walk rather than the destination, and I think that most of the things that any of us do that are really valuable and really important are projects that we really shouldn't expect to be completed in our lifetime because if they could completed in our lifetime, they probably wouldn't be so important that we should devote our lives to them.
I love all things crafty. I love to make jewelry. I love to cut up old clothes and turn them into something new. I love projects like transforming a busted table into a shiny new table. I'm really into restoration and little side projects.
Many of the projects I'm most proud of are tall buildings, especially the housing projects. In New York I have two: one in Kips Bay and one at New York University. At that time, those projects were most challenging.
These new prospective projects include the Appalachian Connector and the Diamond East projects, both are major new projects that connect the burgeoning supplies from the Marcellus and Utica directly to growing demand on Transco that is anxious to see the supplies coming their way as those markets strive to grow as well.
I'm always sort of looking for projects that I can sort of put out into the world, into the public sphere, and to somehow cause an effect. I want to be able to create projects that sort of are going to make people think and think in this sort of magical, sort of fantastical way.
I like challenges, I like that fear you feel for something new, and with a new director, I think it's very important to always support new projects.
My journalist sensibilities have guided me toward the types of projects I've gone for, even though the projects have been fairly diverse. It always has to have that interesting to attract me, I think.
There are those special projects that don't ever feel like work but just a blessing to be a part of, and 'Revolution' is one of those projects.
For me to start working, projects have to catch my attention whether they are here (in the USA) or in Mexico. All I want is to be involved in projects that are interesting to me, projects that are a challenge wherever they may happen, in Spain, in China, or in Hollywood.
I love actors, and I love projects that give them space and room, and I aim for these projects where the characters are that important.
Some films are pure entertainment of course, but what interests me and what I want to do are projects that really make you think, that move you, that will bring you something that will stay with you for a while. I think films are essential to the intellectual awakening of people.
I think it's important to find projects that evoke people into conversation. It's like reading a good book. You want to talk about it.
Until philosophers rule as kings or those who are now called kings and leading men genuinely and adequately philosophise, that is, until political power and philosophy entirely coincide, while the many natures who at present pursue either one exclusively are forcibly prevented from doing so, cities will have no rest from evils,... nor, I think, will the human race.
I always have a ton of projects in mind. On my ToodleDo list, I divide projects into those I'm actively working on, those I'm not doing but believe I will do, and those that sound good, but who knows if I'll ever get to them.
In those projects with Sting and Josh Groban and people like that, I see a very interesting effect: their fans coming to my classical concerts, people who've never been to a classical show at all.
