A Quote by Lana Wachowski
I don't know why directors sign on to these projects and completely rewrite everything.
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I've had a real lucky time working in Hollywood. I've talked to other screenwriters, and they're all kind of beaten down and their spirits are crushed, because they work on these screenplays and these projects, and then directors either take them and change everything, rewrite them and make them worse, or they film them and they're nothing like how they imagined it to be.
I rewrite everything, almost idiotically. I rewrite and work and work, and rewrite and rewrite some more.
Among the many things that profoundly impress me about the Dalai Lama, quite high up on the list is his ability to say "I don't know". I've often wished that other people in prominent positions wouldn't feel the compulsion to have an answer for everything and would feel equally free to say "I don't know." It's a sign of wisdom to know that you don't know and a sign of stupidity to think that you know everything. I admire it enormously in him, and wonder why so few people in leading positions reach that stage.
Everything we do is escapism, because we'll all be dead and everything we do is completely meaningless. Why brush your teeth? Why not be in the park with the bums passing a short dog? Why pay taxes, why get educated? Of course literature is an escape. You have to fill the hours.
It drives me crazy to do readings of my books, because if I read anything I've written in the past, I'd like to almost rewrite everything. If I could, I'd completely rewrite Fargo Rock City, and every sentence would be just slightly different. In all likelihood, most of them wouldn't be any better. Some of them would just be changed back to whatever form they used to be, before I second-guessed myself the first time.
In any of the big acting cities, there are breakdowns that the casting directors put together for the projects that they're working on and then they get sent out to the agents and stuff like that. It's difficult to find projects, sometimes, unless your agent or manager is submitting you for those specific projects.
If I were less lazy, when my play was published, I would go and rewrite everything for the reader. But I don't do that. What people are reading is just me trying to get the actors and directors to do something or think about something.
You know, directors are funny people. They live with these movies for a year or more. And when you go in to score the picture, you're fooling with their child. They want to know everything that happens to the score - and why.
Reread, rewrite, reread, rewrite. If it still doesn't work, throw it away. It's a nice feeling, and you don't want to be cluttered with the corpses of poems and stories which have everything in them except the life they need.
It's about very talented writers, directors, producers, and actors being in a position for their projects to be supported, but there's just not enough black projects being made.
My writing process is very feedback-based. When I do stand-up, I listen to the audience. I try to understand what's connecting, what's not connecting, and then rewrite, rewrite and rewrite.
When I was an undergraduate in Film & TV at NYU/Tisch School of the Arts, most of the projects I shot had male directors, and only a few had female directors.
Where I thrive is with my hands on the keyboard or my pen on the paper. One of the things I get to do is I get to rewrite. I rewrite, and I work hard on my scripts. You can rewrite until you're 'perfect,' and that's something that's safe for me.
The sign of vigour, the sign of life, the sign of hope, the sign of health, the sign of everything that is good, is strength. As long as the body lives, there must be strength in the body, strength in the mind, [and strength] in the hand.
I'm lucky enough that directors sometimes seek me out for little projects that people don't even know about, that just surface later on.
Rewrite, rewrite, rewrite, don't be precious about your first draft, it's an architectural blueprint to a whole building, be your own worst critic, confront your weakness and remember it's a craft.
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