A Quote by Lance Burton
It's new and different every night. The charge you get from a good audience is like nothing else.
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But live you get the chance every night to rework it and change it and hone it. But then you get the false, weird oddness of being able to look at it and say: "Well that's weird, because last night they laughed at that and yet they didn't tonight. So what did I do? Nothing was different." You have that strange thing of being able to tell within five minutes what an audience is like. Very quickly an audience gets a personality and you start to think: "What is it about you all; you all hate it, don't you?" Then you come out and have friends in and they say: "It was brilliant!"
I have to visualise my jokes, live my jokes, feel the audience because every audience is different. It's like having a different dancing partner every night.
The only time I have a good hunch the audience is going to be there is when I make the sequel to 'Jurassic Park' or I make another Indiana Jones movie. I know I've got a good shot at getting an audience on opening night. Everything else that is striking out into new territory is a crap shoot.
It's a constant challenge to get your arrangement and musical expression across to a new audience, especially when you're playing live every night like we are.
What I like about Broadway is that you are still entertaining. You're standing in front of an audience every night and the critics are not friends at all - and that's good for me as an entertainer because I want to grow. It also gives me the structure of remaining in one city so I can get creative in different ways.
There's nothing like spending an evening with an audience every night.
Just like my career, I've sung the same songs night after night in so many ways. It's always different because every space is different. I lost my mojo once. It was like Austin Powers. I don't know why or how, but I had to get it back. And I did.
I learned a valuable lesson doing 'Mr. Sunshine,' which is that I didn't want to be in charge because it's too much. Being in charge and acting in every scene was just too difficult. It's like eating dinner in a moving golf cart every night.
The cool thing about WWE is it's like entertainment boot camp. You're performing in front of a live audience, a different audience every night. You're doing promos in the ring. You're doing talking segments in the back. You're wrestling. You're performing. It's everything all rolled into one.
With solo shows, you have complete control over the set list. If you feel like you want to do something different or do a new song, you can just work it in. You can talk to the audience or not talk to the audience. There's nothing that's set.
I often think a play gets better and better as you hit a stride because you really find new things. One of the great privileges of doing theater is you get so many at-bats - you get to try it eight times a week and every audience is different, everyday is different.
I'm pretty sure my audience could be bigger, if I could get it out a lot more different places, but that's what we're working towards right now today. It ain't like I'm at the end of our career or nothing like that, I just now getting started. I been in the game for a long time but I'm just now getting heard by people everywhere else. And they still seem to like it, so it didn't give me nothing but fuel, and motivation to keep it pushing.
I get to travel so much. I get to see so many different parts of the world. I get to meet new people every day. I experience new cultures, meet new fans from different countries. I get to perform for them, too.
Stand-up is like a movie every night. You write it, direct it, produce it, the audience votes, and you go home. There's nothing more satisfying.
I don't like sleeping in a different place every night, but I do like meeting new people.
We are born at the rise of the curtain and we die with its fall, and every night in the presence of our patrons we write our new creation, and every night it is blotted out forever; and of what use is it to say to audience or to critic, ''Ah, but you should have seen me last Tuesday?''
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